It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 15, 2016, 01:12 PM
http://coloristpodcast.com/episode-006-rob-bessett...
Rob Bessette joins me on this episode of the Colorist Podcast. Rob is a senior colorist at Finish Boston and specializes in coloring commercials. With over 11 years of experience, Rob has had the opportunity to color spots for Toyota, Coca Cola, Sam Adams, Subway, Chili’s, Dunkin’ Doughnuts, and many others.
June 20, 2016, 12:10 PM
http://blogs.adobe.com/creativecloud/cinematic-col...
In this multi-part tutorial, you’ll learn how to create a movie-like effect by using color grading techniques in Adobe Photoshop. We’ll focus on re-creating the look of a summer blockbuster action film using adjustment layers. The term “color grading” is usually reserved for film, but it is now being used to describe creative color corrections in photography. Keep in mind that what we are doing is applying a color style to an image to convey a story. There are no rules as to...
June 13, 2016, 12:35 PM
http://postperspective.com/colorist-society-adds-c...
Veteran colorist, telecine operator and color workflow specialist Lou Levinson has been named a Fellow of the Colorist Society International (CSI). Levinson’s career is impressive. He has worked with many top directors and cinematographers in Hollywood, including Steven Spielberg and Janusz Kaminski. As a telecine colorist Levinson has worked on Raiders of the Lost Ark, Continue reading →June 13, 2016
May 31, 2016, 05:11 AM
http://www.provideocoalition.com/tangent-ripple-re...
Many years ago I wrote an article at Studio Daily called Poor man’s color control surface. This was a time before Resolve was free, before Premiere had Lumetri, and the Color Board was just a glint in Apple’s eye. I found that it was a quite useful to take a Kensington trackball and use its The post Review – The Tangent Ripple affordable color grading control surface appeared first on ProVideo Coalition.
May 27, 2016, 04:45 AM
https://fstoppers.com/film/kodak-makes-comeback-wi...
Kodak made big waves at this year's Cannes Festival announcing 12 features shot on Kodak film. Including Olivier Assayas’s film "Personal Shopper" staring actress Kristen Stewart, where he took home the award for Best Director and was given lengthy five minute standing ovation.
May 26, 2016, 01:55 PM
http://endcrawl.com/blog/blinded-by-color-science/
Juan is speaking to something to important: the term “science” is loaded with the notion of impartial, objective truth about the universe:
May 26, 2016, 09:06 AM
http://www.tasteofcinema.com/2016/10-great-movies-...
Use Color to Signify a Change in Narrative or Emotion
May 26, 2016, 05:56 AM
http://cinescopophilia.com/a-quick-grading-breakdo...
Graded just for fun for the GRADEATHON Contest in Color Grading Central Facebook Group. All corrections done in FCPX with Color Finale, finished with a Neat Video mask on the talents...
May 18, 2016, 09:23 AM
http://www.redsharknews.com/post/item/3487-free-up...
At the FCP Exchange workshops held in Las Vegas during NAB 2016, Denver Riddle of Color Grading Central previewed some upcoming updates to Color Finale for FCP X. Color FinaleColor Finale ProFinal Cut Pro XFCPXColor CorrectionColorColourColour CorrectionGrading
May 17, 2016, 05:33 AM
http://cinescopophilia.com/kinemax-kinelog-lut-tes...
Adrian Sapota has been out and about getting some Kinefinity KineMax KineLOG LUT love.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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