To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SGO Tweaks Mistika Ultima for 8K Finishing

November 12, 2018, 02:55 PM

http://www.studiodaily.com/2018/11/sgo-tweaks-mist...

SGO said it will be showing a new version of its Mistika Ultima 8K System finishing platform, with hardware and software designed specifically for the resolution-conscious Japanese market, at Inter BEE in Tokyo later this week. With a storage configuration tuned for high-resolution workflow, SGO said, the Mistika Ultima 8K supports real-time uncompressed 8K UHD […] The post SGO Tweaks Mistika Ultima for 8K Finishing appeared first on Studio Daily.

Match Moving Skies & Lens Flares In DaVinci Resolv

June 22, 2016, 04:26 AM

http://www.digimediapros.com/match-moving-skies-le...

In this tutorial, our special guest presenter Ben Brownlee, is back to show us how easy it is to track a still shot of a Sky that was composited (keyed) against a moving shot inside of a car looking out through the windshield.

Pro Insights from Colorist Colin Travers

June 20, 2016, 09:10 AM

http://www.premiumbeat.com/blog/colorist-colin-tra...

The professional color work of Colin Travers can be seen in everything from TV spots to full-length features. Here's his take on the industry.

EX MACHINA: A Film Analysis of Color Symbolism

June 14, 2016, 04:19 PM

https://acelare.wordpress.com/2015/05/09/ex-machin...

Previously well-known for writing the sci-fi horror film 28 Days Later, Alex Garland recently released his directorial debut, Ex Machina. The sci-fi thriller revolves around a young computer programmer, Caleb, who is selected to take part in an AI experiment at the home of his company's CEO, Nathan. Caleb takes part in Turing tests in order to determine if…

ScopeBox Setups - Joey D'Anna

June 14, 2016, 12:13 PM

http://www.divergentmedia.com/blog/system-setups-j...

Joey D’Anna is a colorist and online editor working in the Washington DC area. He started in post-production doing linear tape to tape online editing, then moved into non-linear finishing and color grading. Today he grades and finishes short form marketing for TV, and long form documentaries and independent films.

Creative studio Industrial Color adds to team

June 10, 2016, 02:01 AM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK — Industrial Color (http://industrialcolor.com), a 25-year-old creative studio known for its high-end fashion and beauty work, has added editor Bruce Ashley and executive producer Gary Giambalvo to its staff. According to company COO Mathieu Champigny, the appointments represent a strategic step in the company’s growth strategy to targeting advertising and branded content production.

Blackmagic Design Releases DaVinci Resolve 12.5

June 9, 2016, 12:20 PM

http://www.studiodaily.com/2016/06/blackmagic-desi...

After a public beta that opened at NAB, Blackmagic Design has released the final version of DaVinci Resolve 12.5 for download. Shots were fired at Adobe Premiere Pro last year, when DaVinci Resolve 12 first added a robust editorial toolset to its … more » The post Blackmagic Design Releases DaVinci Resolve 12.5 appeared first on Studio Daily.

Blackmagic Design Announces DaVinci Resolve 12.5 i

June 9, 2016, 06:44 AM

http://www.broadcastbeat.com/blackmagic-design-ann...

Massive update now available for Hollywood’s fastest growing professional editor! Blackmagic Design today announced that the final release of DaVinci Resolve 12.5, its professional editing and color correction software, is now available for download from the Blackmagic Design website. DaVinci Resolve 12.5 is a massive update with over 1,000 enhancements and 250 new features which ...

Colour grading in your DSLR or in post

June 7, 2016, 12:23 PM

http://www.provideocoalition.com/colour-grading-ds...

While for many cinematographers the ideal path goes through a colour correcting and colour grading process in post, something that makes complete sense for many productions, independent videographers will, many times, also because they work alone, try to get as much done in camera as possible. There is also another reason, I believe, for this: The post Colour grading in your DSLR or in post appeared first on ProVideo Coalition.

10. Basic Training Davinci Resolve 12

June 7, 2016, 05:19 AM

http://feedproxy.google.com/~r/norendercom/~3/Ut_E...

Exportación Este es el último vídeo de nuestro Curso Básico Davinci Resolve 12 y en […]

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