A community-driven source for post-production information
November 12, 2018, 02:55 PM
SGO said it will be showing a new version of its Mistika Ultima 8K System finishing platform, with hardware and software designed specifically for the resolution-conscious Japanese market, at Inter BEE in Tokyo later this week. With a storage configuration tuned for high-resolution workflow, SGO said, the Mistika Ultima 8K supports real-time uncompressed 8K UHD […] The post SGO Tweaks Mistika Ultima for 8K Finishing appeared first on Studio Daily.
November 15, 2016, 01:12 PM
Rob Bessette joins me on this episode of the Colorist Podcast. Rob is a senior colorist at Finish Boston and specializes in coloring commercials. With over 11 years of experience, Rob has had the opportunity to color spots for Toyota, Coca Cola, Sam Adams, Subway, Chili’s, Dunkin’ Doughnuts, and many others.
June 22, 2016, 04:26 AM
In this tutorial, our special guest presenter Ben Brownlee, is back to show us how easy it is to track a still shot of a Sky that was composited (keyed) against a moving shot inside of a car looking out through the windshield.
June 20, 2016, 12:10 PM
In this multi-part tutorial, you’ll learn how to create a movie-like effect by using color grading techniques in Adobe Photoshop. We’ll focus on re-creating the look of a summer blockbuster action film using adjustment layers. The term “color grading” is usually reserved for film, but it is now being used to describe creative color corrections in photography. Keep in mind that what we are doing is applying a color style to an image to convey a story. There are no rules as to...
June 14, 2016, 04:19 PM
Previously well-known for writing the sci-fi horror film 28 Days Later, Alex Garland recently released his directorial debut, Ex Machina. The sci-fi thriller revolves around a young computer programmer, Caleb, who is selected to take part in an AI experiment at the home of his company's CEO, Nathan. Caleb takes part in Turing tests in order to determine if…
June 14, 2016, 12:13 PM
Joey D’Anna is a colorist and online editor working in the Washington DC area. He started in post-production doing linear tape to tape online editing, then moved into non-linear finishing and color grading. Today he grades and finishes short form marketing for TV, and long form documentaries and independent films.
June 13, 2016, 12:35 PM
Veteran colorist, telecine operator and color workflow specialist Lou Levinson has been named a Fellow of the Colorist Society International (CSI). Levinson’s career is impressive. He has worked with many top directors and cinematographers in Hollywood, including Steven Spielberg and Janusz Kaminski. As a telecine colorist Levinson has worked on Raiders of the Lost Ark, Continue reading →June 13, 2016
June 10, 2016, 02:01 AM
NEW YORK — Industrial Color (http://industrialcolor.com), a 25-year-old creative studio known for its high-end fashion and beauty work, has added editor Bruce Ashley and executive producer Gary Giambalvo to its staff. According to company COO Mathieu Champigny, the appointments represent a strategic step in the company’s growth strategy to targeting advertising and branded content production.
Cindy Mollo sits down to discuss the editing of Ozark.
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix an...
Yan Miles sits down to discuss editing The Crown's hit episode Fairytale.
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