It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 12, 2022, 08:48 AM
liver Randorff shows how to make a 3D particle effect in Ae using CC Particle World. When working with 3D particles in After Effects, there are a few issues that you can run into, money
May 12, 2022, 08:46 AM
Tom Connors is a VFX supervisor at Santa Monica-based AFX Creative, a studio providing post services for the advertising and entertainment industries. Their offerings include VFX, motion design, finishing and color grading. We recently spoke with Connors to find out more about his work. Can you talk about what being a VFX supervisor entails? Continue reading → May 11, 2022 The post Behind the Title: AFX Creative VFX Supervisor Tom Connors appeared first on postPerspective.
May 12, 2022, 08:44 AM
In part 2 of our Doctor Strange discussion at VFX Notes, Hugo Guerra from Hugo’s Desk and Ian Failes from befores & afters break down Method Studios’ work on the multi-verse sequence in the film. Here’s my past coverage of this sequence back at vfxblog.
May 10, 2022, 01:12 PM
Blackmagic Design today announced that a Blackmagic URSA Mini Pro 12K digital film camera was used to capture visual effects (VFX) plates for the HBO drama series “The Gilded Age.” VFX Supervisor Lesley Robson-Foster also used a Blackmagic Pocket Cinema Camera 6K as a witness camera for the period drama that transports New York City back to 1882.#blackmagic design#pocket cinema camera 6k#ursa mini pro 12k
May 9, 2022, 11:49 AM
Blackmagic Design today announced that Tokyo based production company NOUVELLE VAGUE has opened “n00b.st,” a new streaming studio in Shibuya, which was built around a number of Blackmagic products, including four Blackmagic URSA Broadcast G2 cameras and Blackmagic Studio Camera 4K Pros. The facility is equipped with a large LED display, enabling virtual production within camera VFX and remote production via IP transmission.#blackmagic design#atem camera control panel#ursa broadcast g2#blackmagic studio camera 4k pro#blackmagic camera fiber converter#blackmagic studio fiber converter#ursa studio viewfinder g2#blackmagic zoom demand#blackmagic focus demand#atem television studio 4k pro#atem studio converter
May 4, 2022, 08:36 AM
Berkeley, California-based visual effects and animation production company Tippett Studio, helmed by two-time Oscar winner Phil Tippett, is expanding into Canada with its first satellite office in Toronto, which will be called Tippett Canada.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Udit Duseja Discusses his Composition and Audio Work on America and All Light Everywhere
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