A community-driven source for post-production information
September 5, 2019, 12:39 PM
At this year’s IBC, FilmLight (Amsterdam, 13-17 September, Stand #7.A45) is demonstrating new colour management tools and products designed to improve efficiency and flexibility for a wide range of workflows. With colour grading an increasing feature across all content streams, client demand for premium quality grows, while timescales and budgets shrink. Long-term impact of many […] The post IBC 2019: Creative Results With FilmLight appeared first on Below the Line.
August 27, 2019, 06:48 AM
A well-established Canadian colorist, Jérôme Cloutier started his career as a Flame artist working in advertising before moving to color-grading at an advertising post house in Montreal. The post Q&A: Colorist Jérôme Cloutier on Xavier Dolan’s Cannes Competitor Matthias and Maxime and More appeared first on Studio Daily.
August 8, 2019, 14:11 PM
Get up to speed with the new features in DaVinci Resolve 16 with this round up of free tutorials and paid professional training.#tutorials#training#davinci resolve 16
August 5, 2019, 08:50 AM
Ever wonder about the process used to synthesize those amazing colors in photographs taken of deep space? Vox explains how different techniques are used to assign vivid hues representing both visible and “invisible” light to images captured by the Hubble Space Telescope. The post How Scientists Colorize Photos of Space appeared first on Studio Daily.
July 24, 2019, 05:49 AM
LONDON — Colorist Jason Wallis has returned home to Electric Theatre Collective’s London studio after two years at the company’s Los Angeles office. Wallis played a key role in driving the LA studio’s color team, and worked on projects such as Lil Nas X’s hit video Old Town Road, Levi’s Use Your Vote, and Vince Staples music video Fun!.
July 19, 2019, 14:08 PM
We all want to save time when color grading in Davinci Resolve and PixelTools PowerGrades Collection lets you create unique and adjustable looks quickly.#color grading#davinci resolve#post production#filmmaking
July 18, 2019, 14:49 PM
Learn about the new colour grading and dailies workflow features in Assimilate's latest update to it's respected finishing software, SCRATCH 9.1#assimilate#dailies#finishing#scratch#dit#colour grading#online editing
July 18, 2019, 05:50 AM
LOS ANGELES — Gregory Reese has joined the recently-established, stand-alone grading and finishing studio a52 Color (www.a52.com/color). Reese established a name for himself over the course of eight years as a colorist at The Mill. He has colored a spectrum of commercials for athletic brands, including Nike and Reebok, as well as campaigns for Audi, Apple, CoverGirl, GMC, Progressive and Samsung.
July 17, 2019, 09:56 AM
4 FILMS EVERY COLORIST SHOULD SEE (Courtesy of Filmmaker U Blog - go to https://bit.ly/2XUKur4)Mad Max: Fury Road is continuously referred to as a stunningly beautiful film. John Seale, the cinematographer, was nominated for an Oscar and colorists everywhere were looking at Eric Whipp’s work on the film as a triumph for color correction. With so many people looking to Eric’s work as a colorist for inspiration, we decided to ask him what films he feels every colorist must-see. Aft...
July 16, 2019, 12:26 PM
Colorist Gregory Reese has joined LA-based grading and finishing studio a52 Color, which is led by executive producer Thatcher Peterson and includes colorists Paul Yacono and Daniel de Vue. Reese comes to a52d Color after eight years at The Mill. While there he colored a spectrum of commercials for athletic brands, Continue reading → July 16, 2019 The post a52 Color adds colorist Gregory Reese appeared first on postPerspective.
Avid filled in some workflow gaps at IBC 2019, announcing native support for Apple ProRes Raw in Med...
At one point in Chad Stahelski’s John Wick: Chapter 3 – Parabellum, Keanu Reeves’ titular char...
Blackmagic Design scaled down the production switcher at IBC, announcing the new Atem Mini, a $295 l...
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