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The Curves Tool: An Introduction to Color Correcti

November 7, 2020, 22:39 PM

https://www.premiumbeat.com/blog/introduction-to-c...

The curves tool is one of the founding tools for color correction. In this tutorial, you will learn just how powerful they truly are.

Colorist Chat: LightBender’s Juan Cabrera On Pat

November 7, 2020, 22:38 PM

https://postperspective.com/colorist-chat-lightben...

By Randi Altman Before opening his own color grading shop LightBender, colorist Juan Cabrera worked as a freelancer for studios like Paramount, Bad Robot, Sony and Deluxe (Stereo-D). When he opened Santa Monica-based LightBender six years ago, he was determined create an intimate, boutique environment. “We like to be accessible and offer a place where clients feel comfortable and creative,” says Cabrera. Continue reading →November 5, 2020

Exploring Colour Quality Systems in Production: LE

October 29, 2020, 12:33 PM

https://www.provideocoalition.com/exploring-colour...

Everyone knows there are colour quality issues with at least some LEDs, and everyone wants a nice easy number that we can all use to figure out which one is best without having to spend too much time worrying about it. A purist will tell you that’s it’s impossible to express all the possible problems [...]Read More...

How to Set Up an ACES Workflow With Blender

October 27, 2020, 13:02 PM

https://lesterbanks.com/2020/10/how-to-set-up-an-a...

Glass Hand Studios shows how to set up an ACES workflow between Blender and Resolve. Consistent color is an essential discipline with pipelines and individuals moving to each stage in production. You need to have

SGO presents revolutionary Mistika 10 in an exclus

October 22, 2020, 12:42 PM

https://www.sgo.es/m10-chinese-event/

[CHINESE BELOW] SGO hosts an exclusive Chinese language online live event to the Chinese Color Community, introducing a completely redesigned Color GUI together with other all-new exciting features and functionalities of Mistika 10. This exclusive Mistika 10 Exclusive Chinese online session will take place on 8 November 2020 at 7 PM Beijing time. Sign up now [...]

Free LUTs for Premiere Pro, Filmora

October 21, 2020, 13:53 PM

https://www.bouncecolor.com/blogs/news/free-luts

It's super useful being given a sample pack. LUTs can be complicated to get your head around when you first use them, so we thought you would appreciate some free LUTs to try for your very own.

#free luts
AJA introduces new Colorfront Engine TV Mode

October 20, 2020, 12:14 PM

https://www.provideocoalition.com/aja-introduces-n...

As more HDR workflows are implemented, companies hasten to release updates that follow development of new options. One example is the new Colorfront Engine TV Mode for AJA’s FS-HDR, which provides new features. AJA Video Systems updated its FS-HDR real-time HDR/WCG converter and frame synchronizer with a free firmware update – v4.0 – so professionals [...]Read More...

Colorist Chat: MTO Color’s Mark Todd Osborne

October 16, 2020, 12:50 PM

https://postperspective.com/colorist-chat-mto-colo...

By Randi Altman Colorist Mark Todd Osborne, like many currently working in film and television, was first attracted to the industry after being inspired by the work of Steven Spielberg. It was that inspiration that led him to film school to study directing. That path then led him to post and color grading. Continue reading → October 15, 2020 The post Colorist Chat: MTO Color’s Mark Todd Osborne appeared first on postPerspective.

After Effects Classic Course: 3D Camera Tracking

October 13, 2020, 12:29 PM

https://www.provideocoalition.com/after-effects-cl...

A classic visual effects job is to place a place one planar object (such as a new sign, a video screen, etc.) onto another planar object (such as a wall, a laptop, a cell phone, etc.) while either the camera, the target object, or both are moving. This requires some form of tracking. In the [...]Read More...

Solutions to Resolve 6: Clipped Exports – the YU

October 12, 2020, 15:00 PM

https://www.provideocoalition.com/solutions-to-res...

Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to Resolve 4: Full data and video levels in DaVinci Resolve – don’t clip your proxies and transcodes. It turns out that this is not the end of the story.

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