To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

CCW 2012: Small Tree

November 15, 2012, 04:27 PM

http://www.postmagazine.com/Video-Center/Gallery/C...

Small Tree's Tim Ward details the company compact and portable Titanium 4 - 4-drive RAID.

#hard drive#small tree#ccw#hd
IEEE BMSB 2013 Call for Papers Reminder Notice

November 15, 2012, 04:27 PM

http://ryansalazar.net/index.php/2012/11/ieee-bmsb...

This message is being sent on behalf of IEEE Broadband Multimedia Systems and Broadcasting conference chairs. Call for Papers Reminder Call for Tutorials: Proposals for half-day tutorials on 3D TV are also solicited Call for Panels: Proposals are solicited for panels on technology, applications, business, and policy-related issues and opportunities for multimedia and broadcasting industry...

#ieee#bmsb#papers
Noise Industries Releases FxFactory 4

November 15, 2012, 04:26 PM

http://www.studiodaily.com/2012/11/noise-industrie...

Noise Industries has announced version 4 of its effects plug-in platform and suite, the first one to support Adobe Premiere Pro. Formerly only for users of Final Cut Pro, Motion and Adobe After Effects, many popular FX Factory plug-ins now support both Premiere Pro and FCP X.

#fcpx#final cut pro x#adobe#premiere pro#nle#fxfactory#noise industries
RE:Vision Effects releases RE:Match

November 15, 2012, 04:25 PM

http://news.creativecow.net/story/870213

(November 15, 2012) RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of RE:Match for Adobe® After Effects® and Adobe® Premiere Pro®. RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots.

#software#adobe#cs6#after effects#ae#premiere pro#color#plug-in#vision effects
Adobe Takes Major Step to Bring Broadcast Online

November 15, 2012, 04:23 PM

http://news.creativecow.net/story/870215

(San Jose, California--November 15, 2012) Adobe Systems Incorporated (Nasdaq:ADBE) today unveiled major new components of Project Primetime, the industry’s first fully integrated video technology platform that publishes and monetizes broadcast TV content across any Web-connected device. Adobe® MediaWeaver®...

#adobe#mediaweaver
What's still missing after the 10.0.6 update

November 15, 2012, 04:22 PM

http://www.wemakemovies.org/2012/11/missing-10-0-6...

Final Cut Pro X is my NLE of choice after editing with and teaching FCP for over ten years. I really like FCPX's unique editing paradigm and, for the most part, find it a refreshing joy to use. It has new original features that other NLE’s don’t have (yet), butFCPX itself is missing some important features of traditional NLEs, including FCP7, that video professionals require.

#fcpx#final cut pro#nle#apple
LINDSAY AT EDIT FESTS NY AND LA 2012

November 15, 2012, 02:01 PM

http://www.karenschmeer.com/blog/2012/11/14/lindsa...

One of the greatest benefits of the Fellowship is a pass to both of the ACE Edit Fests: one in NY (June 8-9, 2012) and the other in LA (Aug 3-4, 2012). Each consisted of two days of panels with film and TV editors.

#editfest#karen schmeer#ksfef#la#ny
Is there a future proof way to store your finished

November 15, 2012, 02:01 PM

http://www.fcpxtuts.com/?p=12448

In search of the perfect workflow to archive our completed project’s master files, we have finally found a way we are proud of sharing with you. This is a set of guidelines that should cover most projects. Please, feel free to add your own twist to this workflow and share it in the comments section...

#workflow#storage
MediaStorm Guide to Navigating the Adobe Premiere

November 15, 2012, 02:01 PM

http://www.videoguys.com/Blog/E/MediaStorm+Guide+t...

This is the first of a new series of posts with tips and tricks from our producers' experience working with Adobe Premiere Pro after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.

#adobe#cs6#premiere pro#mediastorm#guide
Company 3/EFILM Collaborate on Post Pipeline

November 15, 2012, 02:00 PM

http://www.btlnews.com/crafts/post-production/comp...

Company 3 (CO3) and EFILM recently joined forces to provide Eon Productions' newest James Bond feature Skyfall - the first digitally-shot film in the franchise - with a complete, consistent workflow, from dailies through to digital intermediate (DI). Based on the model they developed, the companies have branded this new collaborative location service as EC3, which leverages the technology and personnel of both post houses.

#post#skyfall#pipeline#company 3#efilm

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