It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 19, 2022, 08:24 AM
HOLLYWOOD — The Motion Picture Sound Editors (MPSE) have announced that the 70th Annual MPSE Golden Reel Awards will take place on Sunday, February 26th, 2023, in Los Angeles. For the first time in three years the awards ceremony will be held live and will feature a new venue, along with special features to celebrate the sound organization’s platinum anniversary.
May 17, 2022, 08:52 AM
David McCallum is supervising sound editor at Formosa Group in Toronto, a post-production company that provides complete sound services for film, episodic, streaming, interactive content and commercials. A dialogue and ADR specialist, McCallum is a founding partner of the former Tattersall Sound & Picture in Toronto. Some credits include The Handmaid’s Tale, Continue reading → May 16, 2022 The post Behind the Title: Formosa Supervising Sound Editor David McCallum appeared first on postPers...
May 13, 2022, 12:43 PM
LONDON — Sound design and music company Machine (machinesound.co) has hired senior sound designer James Cobbold. He arrives at Machine’s newly-expanded Fitzrovia studios with a career that includes time at audio facilities 750mph and Jungle.
May 13, 2022, 12:42 PM
LOS ANGELES — Emmy award-winning composer Geoff Zanelli (geoffzanelli.com) created the original score for Showtime’s hour-long drama, The First Lady. The drama is a reframing of American leadership, told through the lens of the women at the heart of the White House, and stars Viola Davis (Michelle Obama) , Michelle Pfeiffer (Betty Ford) and Gillian Anderson (Eleanor Roosevelt). Lions Gate Records will release the official score album digitally on May 15th.
May 12, 2022, 08:48 AM
Company 3 Toronto has added senior re-recording mixer Alan deGraaf to its post production sound department. He brings with him 25 years of experience, most recently with Technicolor and Formosa. His list of credits include the Guillermo del Toro series The Strain for the FX Network; the Naomi Watts thriller The Desperate Hour for Roadside Attractions; Continue reading → May 11, 2022 The post Re-recording Mixer Alan deGraaf Joins Company 3 Toronto appeared first on postPerspective.
May 10, 2022, 09:03 AM
Nathan Halpern is an Emmy-nominated composer (Soundbreaking: Stories from the Cutting Edge of Recorded Music), who scored two films that premiered at this year’s Sundance — Emily the Criminal and Watcher. Both have found homes at Roadside Attractions and IFC, respectively. In Watcher, Continue reading → May 9, 2022 The post Composer Nathan Halpern on Music for Watcher and Emily the Criminal appeared first on postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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