It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
April 5, 2022, 10:48 AM
Wētā FX, has announced the opening of its Vancouver office as part of the next phase of the company’s growth following the $1.6 billion technology deal with Unity late last year.
November 18, 2021, 09:07 AM
Visual effects and virtual production pioneer Industrial Light & Magic today announced plans to expand its StageCraft LED virtual production services to Vancouver, British Columbia. The stage, at over 20,000 square feet, is expected to house one of the largest StageCraft LED volumes in North America. This will be ILM’s fifth permanent volume, supporting the growing demand for its state-of-the-art StageCraft services and facilities around the globe. In addition to Vancouver, ILM runs three stag...
October 27, 2021, 08:41 AM
DONCASTER, UK — XR innovator Martin Taylor and ex-Disney EP Alistair Maclean-Clark have formed Prox & Reverie (https://proxandreverie.com), a new XR production and immersive entertainment studio. Prox & Reverie aims to provide a complete service to creatives and brands looking to harness the power of mixed reality technology. Their purpose-built studio system - dubbed 'The Forge' - contains interactive production tools from Varjo, Oculus, Xsens motion capture, Manus, Faceware and Vive, to name...
April 15, 2021, 08:17 AM
Maxon has just announced Cinema 4D Subscription Release 24 (S24). The latest subscription-only release of Maxon’s 3D application allows users to easily browse and obtain models, materials, and other assets, and to intuitively place them within the scene. The release also includes key workflow enhancements and a sneak peek at continued progress on the Scene Nodes and Scene Manager interfaces to the new core. Cinema 4D S24 is immediately available for subscription customers. For perpetual licens...#cinema 4d#redshift#maxon#s24
September 25, 2020, 01:32 PM
Foundry has released Nuke Indie 12.2v3, the latest version of its $499/year edition of the compositing software aimed at freelancers and artists starting up in business for themselves.
July 15, 2019, 12:34 PM
SYDNEY — Industrial Light & Magic (www.ilm.com), the visual effects division of Lucasfilm Ltd., has announced that the company will be expanding its global footprint to Australia. The studio will open a new studio in Sydney to better serve its clients and complement its current operations in San Francisco, where the company is headquartered, as well as in Singapore, Vancouver and London.
February 28, 2019, 12:57 PM
The free update for Trapcode Suite 15.1 includes Text and Mask-based Particle Systems and much more. Find all about it and don’t miss the special sale of all products.
December 25, 2018, 08:49 AM
Universal is ending the year on a sour note thanks to back-to-back bombs of its two vfx-driven films: Christian Rivers’ Mortal Engines and Robert Zemeckis’ Welcome to Marwen. The failure of these films, which could reach between $150-200 million, will have a negative effect on other studios as well, who will now be more reluctant to invest in original vfx-driven films, continuing Hollywood’s reliance on franchises, sequels, and reboots for the foreseeable ftuure.
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