It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
January 12, 2022, 08:43 AM
NEW YORK CITY — Company 3 (company3.com) has added accomplished colorist Nick Metcalf to its growing artist roster in New York. Formerly senior colorist at The Mill, Metcalf has colored campaigns for brands such as Polo Ralph Lauren, Estee Lauder, Harley-Davidson and Cadillac. He has also collaborated with many leading filmmakers in the commercial space, including Wally Pfister, ASC; Michel Gondry; Diego Contreras; Gordon Von Steiner; and the Hudson Dusters.
October 22, 2021, 11:45 AM
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July 17, 2020, 01:07 PM
SGO has released a new upgrade of Mistika Workflows, bringing improved functionality enhancements with an even greater flexibility and customization of media management, transcoding and delivery processes. One new feature is Render Priority functionality, displayed as yellow triangles on the nodes that allow the users to determine the execution order according to their preferences. “The [...]
November 20, 2019, 01:49 PM
Blackmagic Design claimed a new win for DaVinci Resolve as Madrid’s Pigmento Color Grading said it has adopted Resolve Studio as part of an upgrade emphasizing HDR grading and IMF delivery. Pigmento Color Grading Suites Workstation CPUs Intel Dual Xeon SuperMicro processors Workstation Graphics Nvidia Tesla K80 Nvidia RTX2080ti Reference Monitors Sony BVM-HX310 Dolby PRM […] The post Madrid’s Pigmento Color Grading Switches to Resolve appeared first on Studio Daily.
May 2, 2019, 09:18 AM
FilmLight had a number of grading solutions on display at NAB. This video highlights the company’s Prelight, Daylight and Baselight tools, as well as solutions for Avid, Nuke and Flame workflows. In addtion, colorists Doug Delaney (Captain Marvel) and Andrea Chlebak (Elysium, Chappie) stop by. Replay NAB2019 with FilmLight from FilmLight on Vimeo.
February 27, 2019, 11:48 AM
MADRID, SPAIN — SGO (www.sgo.es) has released a substantial upgrade to Mistika Ultima, its finishing system that offers tools for color grading, compositing, editing, VFX, Stereo 3D and HDR work. The latest release adds Apple ProRes support and enhancements for collaborative workflows.
September 18, 2017, 11:46 AM
AMSTERDAM — Madrid, Spain’s SGO was at IBC2017 with the latest developments to Mistika Ultima, the company’s turnkey solution for finishing. SGO also showed Mistika VR with new Stereo 3D functionality, and the recently-launched free education software, Mistika Insight. In addition, SGO showed a preview of Mistika FX as part of the natively integrated workflow with Mistika VR.
August 12, 2015, 05:38 AM
At SIGGRAPH, Thinkbox said that users of Deadline v8.0, which is now essentially in alpha tests, will be able to license the render management software on a timed-usage basis. Specifically, users will be able to pay for licenses by the hour. … more » The post Thinkbox Deadline Users Will Soon Be Able to Pay for Licenses by the Hour appeared first on Studio Daily.
April 15, 2015, 07:19 AM
One film that truly perfected Vegas lighting and all of sin city’s debauchery, is Terry Gilliam’s 1998 film Fear and Loathing in Las Vegas. Gilliam and cinematographer, Nicola Pecorini, chose to illuminate Fear and Loathing in hallucinatory neon colors to illustrate the effects of each drug the characters take. Overall the color play creates a Read More The post New at NAB: Get Vegas Lighting with Color Fixer Pro appeared first on Videoguys Blog.
April 11, 2015, 08:34 AM
The Tiffen Company (Booth C6019) will launch version 4 of its Tiffen Dfx digital filter suite at NAB 2015. Designed to work with industry-standard photo- and video-editing applications, the plug-in package replicates Tiffen optical filters Rosco and Gam gobos and gels.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Udit Duseja Discusses his Composition and Audio Work on America and All Light Everywhere
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