A community-driven source for post-production information
August 9, 2018, 08:22 AM
Want to get your foot in the door of a professional colour grading suite? That toe-hold into the industry will likely come from being an assistant to a professional colorist. In this post I've brought together the best resources I could find to help you do just that. Good luck!#colorist#colour grading#assistant colorist
February 2, 2018, 02:55 AM
Here are some of my favourite podcasts for editors and other post pros, as well as some other recommendations from me, as an editor. Hit the comments to let me know what I'm missing out on!#film editing#post production#podcasts#colorist
March 3, 2016, 03:55 AM
Gordon sits down with DI Colorist John Dowdell to discuss his work for the film Carol at Goldcrest Post, NYC. Carol has been nominated for Best Cinematography at the upcoming Oscars. John has over 200 Features and documentaries listed in his IMDB Filmography. The full transcript is available at aotg.com/cuttingroom.#editor#editing#di#film#film editing#colorist#television#movies#carol#the cutting room#john dowdell
February 10, 2013, 12:20 PM
If you're interested in becoming a DIT or learning more about what a DIT does and how they do it, then check out these resources - a free webinar focused on on-set colour corrections, a primer on understanding LUTS and an extensive post on the DIT's working environment and the equipment they need to succeed.#grading#color theory#colorist#dit#dit cart#on-set colour correction#luts
February 6, 2013, 11:58 AM
For writer/director Bryan Buckley, it was time to do something different. A commercial director and co-founder of the production company Hungry Man, Buckley has put Martin Scorsese and Suri together in the back of cab for Apple, Ellen DeGeneres together with a motley crew of wild and barnyard animals for American Express, and some 40 spots into that precious airtime during the Super Bowl. But his latest work, "Asad," a narrative short film about the struggles of a young Somali refugee...#color#colour#colorist#chris ryan#asad
January 14, 2013, 14:47 PM
Company 3 has announced the addition of award-winning colorist Bob Festa. Festa is an accomplished colorist in postproduction. His credits include numerous brands and some notable commercial advertising. Along the way, Bob has worked with the industry's finest directors and top creative talented. Festa received Da Vinci's Master Colorist Award in 2004 as the Commercial Colorist of the Year and is a four-time ITS Monitor Award finalist.#post production#colorist#company 3#bob festa#commercial
December 1, 2012, 08:07 AM
Thanks to our new analytics tools we now can track the popularity of posts. So with that in mind, here's the top posts from November 26-30, 2012.#video#patrick inhofer#color#film editing#news#colorist#blog#post prodution#top 5#article#infographic#tao
November 21, 2012, 21:01 PM
This is a tutorial for the Davinci Resolve color grading system. In this lesson we go over some basic settings, Red file import, anamorphic de-squeeze, reframing, and metadata color adjustments.#blackmagic#red#color#metadata#colorist#basics#conforming
November 21, 2012, 21:00 PM
In this video tutorial I demonstrate in DaVinci Resolve how to conform a project, what "online" and "offline" mean in production to help you start color grading your projects.#blackmagic#color#colorist#basics#conforming
November 20, 2012, 08:11 AM
Presented by Quentin Tarantino and marking the directorial debut of RZA from Wu Tang Clan, action-adventure The Man With The Iron Fists evokes the spirit of classic martial arts films. Graded on Baselight at Sony Pictures Entertainment's digital intermediate facility, Colorworks. Find out...#color#baselight#colorist#graded#iron fists
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor....
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work ...
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