It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
February 2, 2018, 02:55 AM
Here are some of my favourite podcasts for editors and other post pros, as well as some other recommendations from me, as an editor. Hit the comments to let me know what I'm missing out on!#film editing#post production#podcasts#colorist
February 10, 2013, 12:20 PM
If you're interested in becoming a DIT or learning more about what a DIT does and how they do it, then check out these resources - a free webinar focused on on-set colour corrections, a primer on understanding LUTS and an extensive post on the DIT's working environment and the equipment they need to succeed.#grading#color theory#colorist#dit#dit cart#on-set colour correction#luts
February 6, 2013, 11:58 AM
For writer/director Bryan Buckley, it was time to do something different. A commercial director and co-founder of the production company Hungry Man, Buckley has put Martin Scorsese and Suri together in the back of cab for Apple, Ellen DeGeneres together with a motley crew of wild and barnyard animals for American Express, and some 40 spots into that precious airtime during the Super Bowl. But his latest work, "Asad," a narrative short film about the struggles of a young Somali refugee...#color#colour#colorist#chris ryan#asad
January 14, 2013, 02:47 PM
Company 3 has announced the addition of award-winning colorist Bob Festa. Festa is an accomplished colorist in postproduction. His credits include numerous brands and some notable commercial advertising. Along the way, Bob has worked with the industry's finest directors and top creative talented. Festa received Da Vinci's Master Colorist Award in 2004 as the Commercial Colorist of the Year and is a four-time ITS Monitor Award finalist.#post production#colorist#company 3#bob festa#commercial
December 8, 2012, 08:20 PM
Has a director ever asked you if you can fix a few bad shots? Have you struggled to make a final sequence look better? Steve Hullfish brought the art of color correction from the dark arts to the light of day in 2002 with his book Color Correction for Digital Video: Using Desktop Tools to Perfect Your Image (now in its 2nd Edition), followed in 2008 by The Art and Technique of Digital Color Correction (2nd Edition just released). At this special Editors' Lounge, Steve Hullfish gave...#color#colour#colorist#steve hullfish#correction
December 1, 2012, 08:07 AM
Thanks to our new analytics tools we now can track the popularity of posts. So with that in mind, here's the top posts from November 26-30, 2012.#video#patrick inhofer#color#film editing#news#colorist#blog#post prodution#top 5#article#infographic#tao
November 21, 2012, 09:01 PM
This is a tutorial for the Davinci Resolve color grading system. In this lesson we go over some basic settings, Red file import, anamorphic de-squeeze, reframing, and metadata color adjustments.#blackmagic#red#color#metadata#colorist#basics#conforming
November 21, 2012, 09:00 PM
In this video tutorial I demonstrate in DaVinci Resolve how to conform a project, what "online" and "offline" mean in production to help you start color grading your projects.#blackmagic#color#colorist#basics#conforming
November 20, 2012, 08:11 AM
Presented by Quentin Tarantino and marking the directorial debut of RZA from Wu Tang Clan, action-adventure The Man With The Iron Fists evokes the spirit of classic martial arts films. Graded on Baselight at Sony Pictures Entertainment's digital intermediate facility, Colorworks. Find out...#color#baselight#colorist#graded#iron fists
November 19, 2012, 07:42 PM
First, I want to express my sincere gratitude to everyone who's been waiting so patiently. It's a tough balance between waiting for DaVinci to nail everything down so my lessons are as up-to-date as possible, and getting things started in time for Ripple to be able to add the kind of polish and organization that makes their titles something special.#blackmagic#davinci#resolve#color#colorist
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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