It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 3, 2016, 03:55 AM
https://www.aotg.com/episode-184-john-dowdell-di-colorist-carol/
Gordon sits down with DI Colorist John Dowdell to discuss his work for the film Carol at Goldcrest Post, NYC. Carol has been nominated for Best Cinematography at the upcoming Oscars. John has over 200 Features and documentaries listed in his IMDB Filmography. The full transcript is available at aotg.com/cuttingroom.
#editor#editing#di#film#film editing#colorist#television#movies#carol#the cutting room#john dowdellDecember 17, 2012, 09:20 PM
http://www.awn.com/news/technology/clipster-helps-...
Hanover/Wellington -- Once again, Clipster is positioning itself at the forefront of post production in New Zealand. Park Road, the renowned company which was involved in Peter Jackson's Lord of the Rings trilogy, has been using the Clipster DI workstation for many years for DCI mastering among other things.
#di#workstations#middle earth#48fpsDecember 14, 2012, 01:22 PM
http://www.premiumbeat.com/blog/assimilate-scratch...
Discover how to use Assimilate Scratch for your post production needs. These Scratch video tutorials cover the foundations of using this high-end DI app.
#di#assimilate#post#tutorials#scratchDecember 2, 2012, 04:51 PM
http://magazine.creativecow.net/article/skyfall-da...
To ensure color consistency from dailies to DI for Skyfall, Company 3 London and EFILM collaborated to create an integrated pipeline, newly branded EC3. Skyfall cinematographer Roger Deakins, ASC, BSC was able to enjoy dailies graded by his long-time CO3 Santa Monica colorist working out of London, and the two facilities coordinated color science and calibration for an overall consistent look throughout the process.
#di#dailies#digital intermediateNovember 29, 2012, 08:16 AM
http://news.creativecow.net/story/870262
(Santa Clara, California--November 28, 2012) ASSIMILATE, the leading global provider of DI and dailies tools for digital cinema, episodic television, commercials and spot workflows is now shipping the next generation of its SCRATCH® and SCRATCH Lab® products. SCRATCH v7 features a powerful new suite of enhanced 3D compositing tools that integrate seamlessly into its world-class color-grading, data management and finishing system to allow far faster, more fluid and more cost-effective DI...
#di#assimilate#integrated toolsNovember 24, 2012, 09:42 AM
http://www.awn.com/news/technology/assimilate-ship...
Santa Clara, CA – ASSIMILATE, the leading global provider of DI and dailies tools for digital cinema, episodic television, commercials and spot workflows, is now shipping the next generation of its SCRATCH and SCRATCH Lab products. SCRATCH v7 features a powerful new suite of enhanced 3D compositing tools that integrate seamlessly into its world-class color-grading, data management and finishing system to allow far faster, more fluid and more cost-effective DI sessions, known as Creative DI.
#di#scratch#digital intermediateOctober 31, 2012, 09:45 AM
http://jonnyelwyn.co.uk/workflow-for-post-producti...
Creative DI in Commercials Studio Daily and Assimilate hosted this hour long webinar with Emery Wells, CEO and Founder of Katabatic, who walks through his colour grading, compositing and finishing workflow. Katabatic produces work for clients like Nike, Saturday Night...
#di#creative#assimilate#emily wells#ceo#katabatic#color gradingDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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