It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 3, 2022, 03:21 AM
https://www.asoundeffect.com/dont-look-up-film-sou...
Go behind the sound of massive Netflix hit 'Don't Look Up' in this new A Sound Effect interview with multi-award winning supervising sound editor/sound designer/re-recording mixer Christopher Scarabosio. He talks about designing space scenes using NASA recordings as reference, creating massives crowds for concerts and rally events that had a limited number of on-screen extras, finding the best way to define distinct locations for quick-cut scenes, and so much more:
#post production#filmmaking#sound design#sound effects#film sound#audio post#don't look upOctober 7, 2020, 02:55 PM
https://www.aotg.com/bite-club-hits-streaming-standards-with-nugen/
Set in modern-day Brisbane, Australia, Bite Club follows a young werewolf, Adron, on his search for his missing brother in a world where supernatural beings hide in the shadows. Tapped as composer, producer and sound designer for the film, Dana James Presson knew he wanted to create an explosive theatrical presentation. He turned to a range of plug-ins from NUGEN Audio to best achieve his goal.
#post production#plug ins#nugen audioSeptember 4, 2020, 12:20 AM
https://www.filmcrux.com/blog/film-sound-design
Sound design is like color grading for your ears. If you’re a filmmaker and you’re trying to take your work to the next level, there are few skills more important to master than sound design. So whether you’re just starting out with sound design, you want to add some new tips and tricks to your utility belt, or you just want some killer sound design inspiration, we’ve got you covered. Bookmark this page to have everything you need for amazing sound design all in one place.
#post production#filmmaking#sound design#sfxJuly 27, 2020, 04:05 PM
https://www.aotg.com/journey-to-the-future-edited-with-nugen/
Discovery Network’s Journey to the Future, produced by Storied Media, is a documentary focused on the behind-the-scenes lead-up to America’s historic SpaceX Falcon 9 launch. Several packages were also produced for use throughout the live broadcasts. Among the professionals who worked tirelessly on these projects was Re-Recording Mixer Michael Phillips Keeley, CAS, who called on NUGEN Audio to help create the perfect soundscape.
#post production#plug ins#nugen audioJuly 10, 2019, 10:21 AM
https://www.aotg.com/soularity-sound-relies-on-nugen-audio/
Array of Plug-Ins Create Smooth Workflow and Worry-free Operation for Owner and Creative Director Korey Pereira
#software#audio#mixing#film#post production#plug-in#sound#televisionNovember 16, 2018, 01:24 AM
https://www.asoundeffect.com/maniac-sound/
Want the story behind the retro-futuristic sound of 'Maniac'? Here are the clever, adventurous sonic experiments that went into creating it, as told by supervising sound editor/sound designer Mariusz Glabinski:
#post production#sound design#netflix#sound effects#audio post#maniacJanuary 22, 2018, 10:22 AM
https://www.aotg.com/murder-on-the-orient-express-uses-fairlight/
Blackmagic Design today announced that New Wave Entertainment used its Fairlight DAWs for sound design on the advertising campaign for 20th Century Fox’s “Murder on the Orient Express.” Based upon the novel by Agatha Christie, the film follows thirteen strangers stranded on a train, where everyone's a suspect as mysteries unfold during a lavish journey through Europe.
#audio#post production#sound designJune 24, 2016, 04:14 AM
http://jonnyelwyn.co.uk/film-and-video-editing/sou...
Improve all of your creative projects by learning more about the art and technique of sound design. Get to grips with EQ, understand how to properly set up split audio stems and go deeper into the world of sound design and foley...
#audio#post production#sound design#film sound design#split audioSeptember 16, 2015, 05:30 AM
http://www.aotg.com/index.php?page=sound_design
Some people say I am a sound designer. But am I? Really? Do I bring my sound expertise to each step of the creative process? Unfortunately, more often than not, I am brought in at the end of a video project to “do my thing” after all the writing, re-writing, shooting, re-shooting and editing have been done. Let’s consider for a minute if more thought had been given to sound during all the stages of the creative process.
#audio#post production#sound designerDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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