It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
April 14, 2021, 08:57 AM
Five years ago, MastersFX (MFX) opened an additional studio just outside Toronto in Etobicoke. Since launching on April 1, 2016, the MFX/Toronto studio has been worked on a number of top projects, such as The Handmaid’s Tale; Coroner; The Umbrella Academy; The Expanse; and, most recently, the hit Seth Rogen/Evan Goldberg Netflix series, The Boys.#fx#seth rogen#netflix#practical effects#the boys#live effects#masters fx#the handmaid's tale#coroner#the umbrella academy#the expanse#evan goldberg
April 12, 2021, 08:20 AM
Let’s have a look at how the Framestore team created nearly eight minutes of full CG animation on the Netflix movie, Jingle Jangle...#animation#framestore#netflix#cg#jingle jangle
June 19, 2017, 09:28 AM
Check out their work involving transforming ordinary locations into war torn Afghanistan on the Netflix exclusive War Machine starring Brad Pitt. Lots of set extensions, matte paintings, and turning ordinary jetliners into Air Force. The importance of VFX work that allows films to be shot wherever best fits the budgets.#netflix#vfx breakdown#bluebolt#vfx breakdowns#brad pitt
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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