It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
November 14, 2020, 10:05 AM
Find out how the sound for 'Ratched' was made, covering everything from designing mind-altered states using various editing and mixing techniques, the benefits of mixing a music-dominant soundtrack in Dolby Atmos, to defining spaces with reverb & much more - thanks to Thanks to sound supervisor Gary Megregian and re-recording mixers Joe Earle and Doug Andham:#sound design#netflix#ratched#ratched sound
January 18, 2019, 01:17 AM
80+ million viewers watched 'Bird Box' on Netflix in its first 4 weeks - and here's the story behind the sound for this mysterious tale, as told by supervising sound editors/sound designers Glenn Freemantle and Ben Barker:#sound design#netflix#sound effects#film sound#bird box
November 16, 2018, 01:24 AM
Want the story behind the retro-futuristic sound of 'Maniac'? Here are the clever, adventurous sonic experiments that went into creating it, as told by supervising sound editor/sound designer Mariusz Glabinski:#post production#sound design#netflix#sound effects#audio post#maniac
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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