It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
September 9, 2021, 08:51 AM
Greg O'Bryant sits down with Gordon to discuss the editing of Brand New Cherry Flavor for Netflix and how he had to work with scenes missing due to COVID.#netflix#greg o'bryant#brand new cherry flavor
April 14, 2021, 08:57 AM
Five years ago, MastersFX (MFX) opened an additional studio just outside Toronto in Etobicoke. Since launching on April 1, 2016, the MFX/Toronto studio has been worked on a number of top projects, such as The Handmaid’s Tale; Coroner; The Umbrella Academy; The Expanse; and, most recently, the hit Seth Rogen/Evan Goldberg Netflix series, The Boys.#fx#seth rogen#netflix#practical effects#the boys#live effects#masters fx#the handmaid's tale#coroner#the umbrella academy#the expanse#evan goldberg
April 12, 2021, 08:20 AM
Let’s have a look at how the Framestore team created nearly eight minutes of full CG animation on the Netflix movie, Jingle Jangle...#animation#framestore#netflix#cg#jingle jangle
March 28, 2021, 12:37 PM
Netflix’s MANK is leading 2021 Oscars nominations with 10 nominations, including Best Picture and Best Director. Earlier this week, Adobe hosted a panel with editor Kirk Baxter, ACE, first assistant editor Ben Insler, and assistant editor Jennifer Chung to discuss their remote workflow on Premiere Pro and After Effects.#ace#oscars#netflix#kirk baxter#mank
November 14, 2020, 10:05 AM
Find out how the sound for 'Ratched' was made, covering everything from designing mind-altered states using various editing and mixing techniques, the benefits of mixing a music-dominant soundtrack in Dolby Atmos, to defining spaces with reverb & much more - thanks to Thanks to sound supervisor Gary Megregian and re-recording mixers Joe Earle and Doug Andham:#sound design#netflix#ratched#ratched sound
October 30, 2020, 09:54 AM
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people in the background, lighting an entire episode with candles, and more!#editor#editing#film#film editing#cinematography#television#movies#netflix#cinematographer#the cutting room#the haunting of bly manor#james kniest
October 9, 2020, 11:32 AM
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix documentary Circus of Books.#editor#editing#film#film editing#documentary#television#movies#netflix#the cutting room#kathryn robson#circus of books
July 15, 2020, 02:00 AM
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Cheer. They discuss the detective work required to structure a doc and the character they didn't want to cut but had to.#editor#editing#film#film editing#television#movies#netflix#the cutting room#arielle kilker#david nordstrom#cheer
August 7, 2019, 08:18 AM
Loudness Toolkit Plug-Ins Significantly Improve Workflow for Veteran Re-Recording Mixer#mixing#netflix#nugen audio#dolby atmos#loudness toolkit
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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