It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
October 6, 2017, 07:18 AM
USE OVERLAYS TO DISPLAY CLIP AND SEQUENCE METADATA ON THE MONITORS IN PREMIERE PRO. Overlays in Premiere Pro are extremely handy for viewing sequence and clip metadata directly in the monitors. They show valuable information about the frame at the current playhead position. If you are meticulous about media management, metadata, and markers, then overlays are your reward. Let's take a look at how Overlays work in Premiere Pro, including several specific ways they can help your editing workflow.#editing#adobe#premiere pro#metadata#overlays
June 23, 2017, 02:15 PM
Kyno is a standalone app that combines media management workflows into one easy-to-use interface. Kyno is perfect for quickly adding metadata, renaming files, creating proxies, and much more.#editing#adobe#premiere pro#metadata#kyno
August 2, 2016, 08:22 AM
Clippn helps broadcasters and large-scale content owners repurpose video assets for new streams of revenue including stock footage market#post production#metadata#stock footage#video archives#video clips
March 4, 2014, 09:30 AM
Final Cut backups are enabled by default and they back up your work every 15 minutes (if there has been a change). Now, even though you never have to manually save your work in Final Cut since it saves every change you make automatically, these backups can save your bacon in the event of project corruption or a drive failure.#fcpx#metadata#backups
December 3, 2012, 08:54 PM
Earlier we released Pro Media Tools 1.1.8, a minor update to our suite of media management and problem-solving tools.Export Edit Detector markers to an FCPX eventYou can now create Final Cut Pro X events from Edit Detector. This will produce a .fcpxml file that you can import into FCPX to create a new event containing the source file with markers on every cut point.New QT Edit metdata presetsWe've added lots of new metadata presets for ARRI, Final Cut Studio, QuickTime and RED.#edit#metadata#pro media tools#qt
November 21, 2012, 09:01 PM
This is a tutorial for the Davinci Resolve color grading system. In this lesson we go over some basic settings, Red file import, anamorphic de-squeeze, reframing, and metadata color adjustments.#blackmagic#red#color#metadata#colorist#basics#conforming
November 11, 2012, 08:03 AM
(Hollywood, California--November 11, 2012) MTI Film announces the release of its groundbreaking Cortex line of software-based dailies solutions. Developed from the ground up to support today's file-based production workflows, Cortex provides an all-in-one solution for digital media management with simple but powerful tools for playback, color, audio synchronization, metadata management and transcoding.#workflow#transcoding#audio#color#colour#metadata#mtim cortex
November 5, 2012, 04:12 PM
This short video tutorial shows how R3D files work natively within Adobe Premiere Pro CS6. See how to import files, adjust metadata, save presets and more.#workflow#adobe#cs6#red#premiere pro#premiere#r3d#metadata
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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