A community-driven source for post-production information
May 25, 2018, 15:14 PM
Crappy interview audio can ruin videos. I’ve had to redo entire interviews because of feedback and background noise (don’t make that mistake). I put together a list of the top 5 lavalier microphones. I even included one you can use with your smartphone (money saver)! Check out the list here:#audio#interview#best lavalier mic#best lav mic#lavalier microphone
June 6, 2017, 04:29 AM
In the next few thousand words you can read a transcript of my conversation with Frontline Editor Steve Audette, ACE, on how he cuts and crafts compelling documentary films for a national TV audience, winning awards along the way.#editing#documentary#interview#steve audette#frontline#nova
April 24, 2017, 03:53 AM
DIT Charlie Anderson shares a wealth of wisdom and technical insight on what it takes to be a professional DIT working in film and TV today in this in-depth interview.#dit#interview#charlie anderson
September 1, 2016, 10:01 AM
We welcome editor Erik Swanson on the show, who recently completed work on his first feature length credit: Rise of the Sufferfests, a documentary that explores the rising trend of OCR (Obstacle Course Racing). You may have heard me talk about OCR occasionally as it's become an obsession of mine in the past year. If you've heard of Tough Mudder, Spartan races or anything similar then you've probably thought one of two things: 1) "That sounds like fun!" or 2) "Why do people actually do this??"#film editing#documentary#video editing#interview#rise of the sufferfests#erik swanson
May 16, 2016, 12:16 PM
We are joined by Todd Wolfe from CheeseSteak Media and FroKnowsPhoto. The latter of which just released the FroKnowsPhoto Video Editing Guide. This 16GB guide is jam-packed with the knowledge needed for beginners to get started with the basics and plenty of advanced techniques for the veteran editors, as well. Also, an EXCLUSIVE gift for the Command+Edit listeners. Listen for a promo code to get 25% off of the FroKnowsPhoto Video Editing Guide.#film editing#video editing#interview#editing guide#fro knows photo
February 1, 2016, 11:00 AM
Working with 4K footage shot at 1000 frames per second demands a powerful and flexible editing system, which is why editor Jimmy Falinski edits in Adobe Premiere Pro CC.#premiere pro#tv#interview#commercial#sports
October 1, 2015, 12:02 PM
They handle your footage. They find your music. They’re an integral piece of how your story is told. But, who are these assistant editors? How do your know your content is in good hands? We’ve peeked into the studio to offer a look at an important cook in your kitchen. Meet your Assistant Editor.#assistant editor#post production#music#interview#sound#film-making#adverting#cutters studios#whitehouse post#music licensing#music strategy
August 22, 2015, 02:27 AM
Guest writer, Julien Chichignoud recently caught up with Bill Roberts, Adobe's Sr. Director of Product Managment for Video to discuss the company's editing & film products. This is the first of our two-part series on the future of Adobe and what that means for indie filmmakers.#adobe#ae#premiere#future#new tech#interview
November 18, 2014, 13:47 PM
In the latest edition of the very excellent The Assembly Magazine I had the opportunity for an in-depth chat with London commercials editor James Rosen. Check out some of his work and some extra questions in this spill-over post!#interview#free download#london#the assembly#editing commercials#editing adverts#james rosen
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor....
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work ...
© 2007-2020 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.