It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
February 3, 2015, 11:33 PM
Bringing with it new features such as CinemaDNG colour algorithms, DNxHR 4K, and improved Avid round tripping, amongst others.#editing#grading#color#colour#grade#temperature
November 26, 2012, 09:26 PM
Discover which color grading monitor is right for you. In this roundup of color grading resources we show you where to get the best info on reference monitors from leading professional colorists.#grading#color#monitor#colour#grade
November 14, 2012, 09:04 PM
BCC Videoscope is a powerful tool for ensuring broadcast safe color levels at any stage of your project. In this video tutorial, Kevin P. McAuliffe shows you how to set up BCC Videoscope's waveform monitor and illustrates the filter's Zebra Pattern and Magenta settings for highlighting areas in your footage that are not broadcast safe.#grading#color#colour#grade
November 5, 2012, 04:05 PM
(London, UK--November 5, 2012) Hotel Transylvania, Sony Pictures Animation's monster hit comedy that already broke records at the U.S. box office, went through final colour grading and stereo finishing in full 3D on Baselight. Completed at Colorworks, Sony Pictures Entertainment's digital intermediate facility, DI Colourist John Persichetti used Baselight to apply the finishing touches to the film prior to its worldwide release.#sony#3d#filmlight#color#baselight#colour#color correction#grade#hotel transylvania
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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