It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
April 10, 2021, 09:11 AM
At the heart of every filmmaking decision is one question: Where is the audience in relationship to what is happening on screen? One of the most common approaches to answering this question is through subjectivity; by putting the viewer into a character’s point of view (often, quite literally), a filmmaker can shape how we emotionally absorb and viscerally react to the story unfolding on screen.#design#academy#oscars#sound#sound of metal
April 1, 2021, 04:53 AM
Burrell Communications recently returned to The Colonie, tapping the talents of editor Graham Chapman and the Chicago-based company’s design team for the multi-platform launch of ‘Black Experience on Xfinity’ (BEOX). The package of broadcast and social media spots introduces a first-of-its-kind collection of movies, TV shows news, and more celebrating Black culture. The campaign departs from Xfinity's signature look with the introduction of ‘BEOX,' the newest addition to the cable T...#finishing#design#motion graphics#editorial#the colonie
January 16, 2018, 06:45 PM
In episode 4 of my YouTube Series: Rob's Tech Reviews, I take a look at Monkeybars which is an script for After Effects available on AEScripts for making quick and automated text boxes for lower thirds.#editor#editing#design#motion graphics#graphic design#aescripts#title design
January 14, 2018, 08:56 AM
UTOKA motion designer lends talents to national GMC campaign#editing#cgi#broadcast#design#motion design#utoka#ed dye#charlie erholm#visual brand identities
December 22, 2017, 08:26 AM
This year Utoka’s team of artists collaborated on the concept and production of a practical gift inspired by the young creative agency’s clean, stylized branding – but with a well-designed, disruptive presentation that breaks through the clutter.#production#broadcast#design#holiday#utoka#ed dye#packaging#creative agency
November 20, 2017, 01:48 PM
UTÖKA, an Atlanta-based creative agency, has opened its doors. The end-to-end company brings a deep understanding of the nuances of a brand’s culture and goals to its approach to developing strategic visual concepts that guide its team through the production and post-production process.#editing#cgi#finishing#design#motion graphics#visual#utoka#ed dye#michael zarrillo#concept
August 5, 2013, 10:05 AM
9 Surf Studios tapped the talents Galaxy 61 the Brooklyn-based design-driven animation/VFX boutique to help EE Times mark its 40th anniversary with the creation of ‘Rise of the Geeks,’ a package consisting of a 3D rendering of a new commemorative logo - and a techno-inspired animated app, which the MIN Awards recognized with an ‘Honorable Mention’ in the ‘Best of the Web 2013 ’ category, and was selected as a 2013 MAGGIE Finalist.#vfx#app#design#galaxy 61#9 surf studios#illustration
January 25, 2013, 02:51 PM
I know; it’s not the most clever title. However, once I fully understood the implications of how flags and marks work in Resolve 9, I discovered a practical use for flags that hadn’t previously occurred to me.#blackmagic#davinci#resolve#design
January 17, 2013, 07:39 AM
Presentamos la sexta entrega del curso Basic Trainning de Davinci Resolve. En este nuevo videotutorial, gratis, de Davinci Resolve vamos a ver como funcionan las herramientas de etalonaje -equilibrado de luz y color entre los diferentes planos- en Davinci Resolve. Veremos qué son las still, memories, versions y grupos. También explicaremos la ventana de Gallery.#blackmagic#davinci#resolve#design
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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