It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
August 16, 2016, 12:26 PM
Miller Camera Support Equipment Debuts Latest Fluid Head and Pedestal Innovations to Chinese Market at BIRTV 2016 Exhibitions to Include New arrowX Series and Combo Live 55 Pedestal#cameras#miller#camera support
February 28, 2014, 10:42 AM
Various members of the ProVideo Coalition weigh in with their opinions around 4K. Do professionals need to shoot, edit and deliver at 4K because of the perceived benefits? Do consumers want to watch something at 4K because they're really able (or think they're able) to tell the difference between 4K and HD? Or should moving to 4K (and eventually 8K) just be accepted as inevitable?#editing#production#4k#post production#hd#cameras
February 3, 2014, 05:42 PM
In this first of a two-part presentation, Rick Young’s Movie Machine lets us take a look at what filming in the Blackmagic Pocket Cinema Camera is like.#blackmagic#hardware#cameras#cinematography
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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