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Village Island makes the move to XS

July 23, 2020, 01:04 PM

https://www.aotg.com/village-island-makes-the-move-to-xs/

Village Island creates a new breakthrough in the Broadcast market by offering JPEG-XS technology on its VICO series.

#4k#hd#broadcast#sdi#intopix#8k#jpegxs#tico#villageisland#vico
intoPIX releases FastTICO-XS SDK for Nvidia GPU

June 23, 2020, 08:14 AM

https://www.aotg.com/intopix-releases-fasttico-xs-sdk-for-nvidia-gpu/

intoPIX releases the FastTICO-XS SDK v1.2.4 for Nvidia GPU, setting the stage for ultra-low-latency JPEG-XS video encoding and decoding of real-time HD, 4K and 8K workflows Enabling software-driven live production, editing, AV streaming running up to 8K resolution

#nvidia#4k#gpu#hd#broadcast#intopix#8k#jpegxs#ticoxs#fpga#asic#proav#sdk
Upside Rebuilds Post Studio with Blackmagic Design

June 15, 2018, 06:54 AM

https://www.aotg.com/upside-rebuilds-post-studio-with-blackmagic-design/

Blackmagic Design announced today that Japanese post production company Upside rebuilt their studio around Blackmagic Design 12G-SDI technology. As part of their upgrade from HD to 4K60p support, the company installed DaVinci Resolve Mini Panel, DaVinci Resolve Micro Panel, Teranex Express, DeckLink 4K Extreme 12G, Smart Videohub 12G 40x40 and Videohub Smart Control.

#blackmagic design#davinci resolve#4k#12g-sdi
WOWZA CLEARCASTER BRINGS BROADCAST QUALITY TO FB

October 10, 2017, 12:41 PM

https://www.digitaltrends.com/photography/wowza-cl...

Broadcasting poor-quality Facebook Live sessions can break viewer engagement, but new hardware from Wowza aims to change that.

#4k#broadcast#streaming#facebook live
Post Production Panel: Shooting 120fps

December 10, 2016, 10:09 AM

https://soundcloud.com/onlymoviepod/billylynns

A panel discussion with the post-production team behind Billy Lynns Long Halftime Walk, the first feature film shot and projected at 120fps. Hosted by Shahir Daud of "The Only Podcast About Movies"

#3d#4k#ang lee#panel#120fps#future tech
What resolution should I master my DCP in?

October 19, 2016, 01:53 PM

https://thedcpmaster.com/2k-4k-dcp-resolution/

Wondering if you should master in 2K or 4K? The DCP specification has two official resolutions: “2K” and “4K”. The majority of films shown in theatres currently are in 2K. In most cases you should create your DCP to match the resolution of the master version of your film. 2K will be your likely best bet if the file (or videotape) source image is 2048 x 1080 (or less). 4K will be a better option for any native size higher than that.

#dcp#4k#2k#kdm#encryption
HDR Finishing Changes Everything: Deluxe

May 10, 2016, 04:06 PM

http://nonlinearpost.com/hdr-finishing-changes-eve...

The good news is that you really don’t have to run out and buy a UHD TV just yet, but you will want to buy a TV that can display HDR finishing. HDR, an acronym for High Dynamic Range is a process used in post production that delivers a very drastic, visible difference in image quality.

#4k#post production#filmmaking#trends#media trends#displays
New Updates to EditShare Flow MAM Platform

April 12, 2016, 08:31 AM

https://www.aotg.com/new-updates-to-editshare-flow-mam-platform/

Enhanced web-based asset management tools and new Flow Story remote editor offer fast proxy editing with secure access to media from anywhere in the world; New support for Apple ProRes and Avid proxy editing workflows

#editing#cloud#4k#storage#editshare#media asset management
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