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A community-driven source for post-production information

Village Island makes the move to XS

July 23, 2020, 01:04 PM

https://www.aotg.com/village-island-makes-the-move-to-xs/

Village Island creates a new breakthrough in the Broadcast market by offering JPEG-XS technology on its VICO series.

#4k#hd#broadcast#sdi#intopix#8k#jpegxs#tico#villageisland#vico
Upside Rebuilds Post Studio with Blackmagic Design

June 15, 2018, 06:54 AM

https://www.aotg.com/upside-rebuilds-post-studio-with-blackmagic-design/

Blackmagic Design announced today that Japanese post production company Upside rebuilt their studio around Blackmagic Design 12G-SDI technology. As part of their upgrade from HD to 4K60p support, the company installed DaVinci Resolve Mini Panel, DaVinci Resolve Micro Panel, Teranex Express, DeckLink 4K Extreme 12G, Smart Videohub 12G 40x40 and Videohub Smart Control.

#blackmagic design#davinci resolve#4k#12g-sdi
Major New Video Assist 2.5 Update

June 30, 2017, 11:45 AM

https://www.aotg.com/major-new-video-assist-2-5-update/

Major new free update adds professional vector scope, waveform monitor, RGB parade and histogram to Blackmagic Video Assist 4K.

#4k#monitor#waveform#recorder#scopes#histogram
Panasonic VariCam Pure 4K Camera Test Footage

February 24, 2017, 08:08 AM

http://theangryvideoguy.com/index.php/2017/02/24/p...

The VariCam Pure is a collaboration project between Panasonic and Codex. I hoped to see how much info is in the h.264 by lifting the image somewhat. The 5000ASA shots look good when you remember its…. 5000ASA.

#color grading#4k#panasonic#varicam
Post Production Panel: Shooting 120fps

December 10, 2016, 10:09 AM

https://soundcloud.com/onlymoviepod/billylynns

A panel discussion with the post-production team behind Billy Lynns Long Halftime Walk, the first feature film shot and projected at 120fps. Hosted by Shahir Daud of "The Only Podcast About Movies"

#3d#4k#ang lee#panel#120fps#future tech
What resolution should I master my DCP in?

October 19, 2016, 01:53 PM

https://thedcpmaster.com/2k-4k-dcp-resolution/

Wondering if you should master in 2K or 4K? The DCP specification has two official resolutions: “2K” and “4K”. The majority of films shown in theatres currently are in 2K. In most cases you should create your DCP to match the resolution of the master version of your film. 2K will be your likely best bet if the file (or videotape) source image is 2048 x 1080 (or less). 4K will be a better option for any native size higher than that.

#dcp#4k#2k#kdm#encryption
New Canon Multi-Purpose Camera & Lens from Adorama

April 13, 2016, 09:04 AM

https://www.aotg.com/new-canon-multi-purpose-camera-lens-from-adorama/

The ME200S-SH features a new Super 35mm CMOS image sensor and an ISO equivalent of 204,800 for high image quality; the COMPACT-SERVO cine lens, with T-stop equivalent to F4, is ideal for steady, beautiful 4K movie shooting

#4k#canon#camera#photography#adorama#videography#sensor#lens#preorder
New Updates to EditShare Flow MAM Platform

April 12, 2016, 08:31 AM

https://www.aotg.com/new-updates-to-editshare-flow-mam-platform/

Enhanced web-based asset management tools and new Flow Story remote editor offer fast proxy editing with secure access to media from anywhere in the world; New support for Apple ProRes and Avid proxy editing workflows

#editing#cloud#4k#storage#editshare#media asset management
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