It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 24, 2022, 08:24 AM
https://www.youtube.com/watch?v=m83N2j8R6Eo
Academy Panels is a new series from the Academy that shines a light on craftspeople and filmmakers as well as the humanity behind their artistry. In addition to talking craft, these artists share the humanity behind the artistry. Hosted by EVP of Membership Relations and Awards, Shawn Finnie.
March 16, 2022, 08:33 AM
https://www.artofvfx.com/roohi-vfx-breakdown-by-re...
The India based studio Redchillies VFX present their work in this VFX Breakdown on the horror movie, Roohi...
March 10, 2022, 08:38 AM
https://www.youtube.com/watch?v=7_z-BwZeuQs
Why Dune's Editing Feels Different
March 2, 2022, 07:56 AM
https://www.goldderby.com/feature/pamela-martin-ki...
“Little Miss Sunshine” and “Slums of Beverly Hills” editor Pamela Martin was almost two decades into her career when she first worked on a sports movie. But following her success on 2010’s “The Fighter,” which earned Martin her first Oscar nomination in the Best Editing category, Martin has thrived when cutting films about competition. She reteamed with “Little Miss Sunshine” filmmakers Jonathan Dayton and Valerie Faris for “The Battle of the Sexes,” and got back on the pro...
February 3, 2022, 08:45 AM
https://americancinemaeditors.org/from-the-vault-d...
January 28, 2022, 08:48 AM
https://www.artofvfx.com/foundation-vfx-breakdown-...
Let’s have a look at the work made by Chicken Bone FX on the Apple TV+ adaptation of Isaac Asimov saga, Foundation...
January 24, 2022, 09:03 AM
https://www.goldderby.com/feature/2022-oscar-predi...
When it comes to predicting the Oscar winner for Best Film Editing, you can’t go wrong by looking for the movie with the most cuts. Past winners “The Bourne Ultimatum” (2008), “Mad Max: Fury Road” (2016) and “Ford v Ferrari” (2020) included high-octane action sequences with frenetic cutting. And a slew of other champs — including “Saving Private Ryan” in 1999, “Black Hawk Down” (2002), “The Hurt Locker” (2010), “Hacksaw Ridge” (2017) and “Dunkirk” (2018) — h...
January 11, 2022, 08:43 AM
https://www.goldderby.com/feature/andrew-weisblum-...
“We don’t waste time,” admits editor Andrew Weisblum about working with Wes Anderson on “The French Dispatch.” For our recent webchat, he continues, “I started out being a little more precious about moments. Wes is willing to cut deeper. I’ve learned it’s not a ruthless thing, it’s just an energy thing that he’s very consistent and strong about.” Watch the exclusive video interview above.
January 7, 2022, 01:00 PM
https://www.youtube.com/watch?v=CS-JdDkyn2E
In this final video, we show you how to enhance your project with powerful visual effects. Although the Fusion page lets you create complex cinematic visual effects and motion graphics, the edit page includes a library of visual effects that are easy for anyone to use in their project! You’ll learn how to use traveling mattes, pull an effective green screen key, create simple sign replacements and build complex multi screen effects using the video collage filter.
#blackmagic design#davinci resolveJanuary 7, 2022, 12:56 PM
https://www.youtube.com/watch?v=fYlwId_z_yU
This first video in this new four part series provides you with an overview of the craft of editing. You’ll learn how to import and organize your clips, discover the power of metadata and build a rough cut using the edit page.
#blackmagic design#davinci resolveDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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