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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Falcon Eyes F7 ii Pockelite vs Aputure MC | RGBW LED Light Review

March 30, 2021, 09:47 AM

https://youtu.be/9_z_uhuj5iY

Learn how to create THE PERFECT COMPLIMENTARY COLOR CONTRAST to any scene! Falcon Eyes updated the Pocketlite F7 to version 2 and it now works with their DeSal Lite iPhone app. Find out how it measures up against the Aputure MC LED light in this week’s Creative Video Tip!

#rgb light#rgb light review#falcon eyes
Sight, Sound & Story: Live "Making the Grade: Col

December 29, 2020, 02:08 PM

https://www.youtube.com/watch?v=c1FUq-mXpVA

Sight, Sound & Story: Live "Making the Grade: Color in TV & Film" Moderator: Jason Druss (Senior Colorist at WarnerMedia Studios) Panelists: Élodie Ichter ("The Irishman," "Once Upon a Time In Hollywood," "The Maze Runner") & Stephen Nakamura ("X-Men: Days of Future Past," "The Martian," "Prometheus") Inside Episode VI: The contribution of the colorist in film goes beyond just making the scenes and images look good. A great colorist will draw the audience's eye to w...

Brazilian Tips N' Tricks Webinar

November 9, 2020, 01:32 PM

https://icolorist.com/brazilian-tips-n-tricks-webi...

Tips tricks and great colorist chat in both Portuguese and English. A International Colorist Academy realizará um webinar gratuito em portugues no dia 30 de Outubro. Marque na sua agenda! (ou Guarde este dia!)

IBC Season 2020: Company 3's Bill Ferwerda

September 19, 2020, 02:27 PM

https://www.youtube.com/watch?v=Zoi_4Sqgpmw

#Company3 #colorgrading #IBC2020 This Company 3 Toronto senior colorist talks trends, as well as his work-from-home setup. He has been grading episodics and films during the COVID shutdown.

Using Log Color Wheels in Resolve 16

July 6, 2020, 01:26 PM

https://www.4kshooters.net/2020/07/06/using-log-co...

More and more creative professionals and enthusiasts are taking the leap by switching to Resolve as their primary NLE. And there’s a good reason for that. The software has turned into a fully-fledged and highly advanced post-production suite over the years that brings all the bells and whistles one will ever need.

How to Color Grade ProRes RAW Media in Final Cut P

May 30, 2020, 05:38 PM

https://www.youtube.com/watch?v=erwdbjabto0

HDR (High Dynamic Range) media is the latest media golden child. But, what is it? How do we use it in Apple Final Cut Pro X? And what about all these other terms: RAW, Log, LUTs, Rec. 709, Rec 2020 and 10-bit? In this short video demo, watch as Larry Jordan illustrates how to display and color grade ProRes RAW media in Apple Final Cut Pro X. (Bonus: How to use the Balance Color effect with HDR media.) This is an excerpt from a longer webinar showing how to use HDR media in Final Cut Pr...

Color Grade Panasonic LOG Media in Final Cut Pro X

May 30, 2020, 05:37 PM

https://www.youtube.com/watch?v=SL2YUaLSCWk

HDR (High Dynamic Range) media is the latest media golden child. But, what is it? How do we use it in Apple Final Cut Pro X? And what about all these other terms: RAW, Log, LUTs, Rec. 709, Rec 2020 and 10-bit? In this short video demo, watch as Larry Jordan shows how to color grade Panasonic HLG Log media in both a Rec. 709 and HDR projects. (Bonus: Larry also illustrates how to use the HDR Tools effect for converting HDR media.) This is an excerpt from a longer webinar showing how to ...

Resolve - Why You Need Training?

May 26, 2020, 02:20 PM

https://icolorist.com/2020/05/25/fxphd-resolve-why...

Colorist Warren Eagles warreneagles.com.au talks about his new Resolve 15 fxphd.com/resolve Color Correction training classes. Warren is the co-founder of the International Colorist Academy and has been using Resolve and conducting Resolve classes since 2005...

Color Management for Dummies

May 15, 2020, 01:30 PM

https://www.provideocoalition.com/color-management...

Color management is a chaotic web of confusion for many artists. Most of this is a result of industry misinformation rather than anything inherently difficult in the subject. Well, fear not: we have the everyman’s guide to color management fundamentals. In this video, moviola.com’s Stickman goes over the entire color management workflow from removing input LUTs, through linear color corrections and compositing, to application of a final delivery LUT.

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