It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
September 28, 2021, 08:41 AM
Chaos released its 2021 VFX and animation showreel featuring the work of nearly 30 production studios. The two-and-a-half-minute clip packs in some of the most notable uses of V-Ray in the last 12 months, spanning a full spectrum of feature films, commercials, and episodics, demonstrating how companies like Scanline VFX, Goodbye Kansas and Blur Studio use V-Ray.
September 1, 2021, 09:32 AM
Aside from motion blur I also masked out people from the shots with monsters in them (where doable). I did this in later videos, but I hadn't done this for my earlier stop-motion animation videos. So you'll see a mix of 24 fps people and 60 fps monsters + motion blur. Hopefully this will reduce that soap opera effect.
August 31, 2021, 08:49 AM
In this edition, find out how the films of Pixar Animation are able to create such realistic animated clothes for their characters in movies like "Onward." Plus, see what a criminologist thinks of the serial killers in movies like "The Silence of the Lambs," "Zodiac," "American Psycho," and more. And finally, watch as the visual effects artists at Corridor Crew turn animated characters like Thanos from "Avengers: Infinity War" and Gollum from "The Lord of the Rings" into real people using a clev...
March 17, 2021, 09:04 AM
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on how the animation technique of rotoscoping works.#rotoscoping#animation
February 10, 2021, 01:57 PM
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about how Pixar animated real-looking lighting in their latest film, Soul.
June 27, 2020, 08:12 PM
Filmmaker U explores the history of Stop-Motion Animation and how it has impacted and guided the VFX industry as we know it. Starting with a rudimentary frame by frame animation we see how Ray Harryhausen improved things, then standing on the shoulder of giants see how Phil Tippet created a new technique that would carry us into the new CGI and motion capture world. These techniques developed are used by major films such as Lord of the Rings, Jurassic Park, and more! -- About Filmmaker U:...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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