To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind-the-Scenes on "Pretty Broken"

March 4, 2019, 09:13 AM

https://www.aotg.com/behind-the-scenes-on-pretty-broken/

DP Michael Ferry shoots with a Blackmagic URSA Mini 4.6K while Colorist Mark Todd Osborne used DaVinci Resolve Studio in post,

#blackmagic design#davinci resolve studio#ursa mini
“The Paranormal Journey: Into the Unknown”

October 15, 2018, 12:50 PM

https://www.aotg.com/the-paranormal-journey-into-the-unknown/

Now in its third season, “The Paranormal Journey: Into the Unknown” follows the paranormal team known as the Phantasmic Ghost Hunters, with hosts Gavin Kelly and Paula Purcell as they seek out the existence of life after death by visiting haunted locations, including jails, hospitals, battlefields and museums, and collecting compelling evidence.

#blackmagic design#davinci resolve#ursa mini
“Alifu, the Prince/ss” Produced with URSA Mini

August 20, 2018, 09:39 AM

https://www.aotg.com/alifu-the-prince-ss-produced-with-ursa-mini/

Blackmagic Design today announced that the Golden Horse Award-winning film “Alifu, the Prince/ss” was shot with its URSA Mini 4.6K digital film camera and graded by colorist Zoe Chang with DaVinci Resolve Studio and the DaVinci Resolve Advanced Panel.

#blackmagic design#davinci resolve studio#ursa mini
URSA Mini 4.6K Used in Three Billboards

November 16, 2017, 08:36 AM

https://www.aotg.com/ursa-mini-4-6k-used-in-three-billboards/

Blackmagic Design has today announced that its URSA Mini 4.6K digital film camera was amongst the camera packages used in the filming of Academy Award winning director Martin McDonagh's latest film, Three Billboards Outside Ebbing, Missouri.

#blackmagic design#davinci resolve#ursa mini
Blackmagic Cameras Used on Peugeot Commercial

June 17, 2016, 09:28 AM

https://www.aotg.com/blackmagic-cameras-used-on-peugeot-commercial/

Fremont, CA - June 17, 2016 - Blackmagic Design announced today that PEUGEOT’s new commercial, “MOTION & EMOTION Taikan Shijou Campaign,” was shot using Blackmagic Micro Cinema Camera and URSA Mini 4.6K EF. The spot was also graded with DaVinci Resolve Studio.

#blackmagic design#peugeot#micro cinema camera#ursa mini

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