It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
December 7, 2021, 10:02 AM
intoPIX is pleased to announce today the successful integration of the TicoRAW technology into the new generation of Nikon cameras, including the latest flagship Z 9 mirrorless camera. Nikon made the bold strategic move to select the intoPIX TicoRAW technology: leapfrogging existing camera limitations to meet all advanced and upcoming requirements of imaging professionals, whether in live sports, film, wildlife documentaries or other challenging environments. Thanks to this addition, the n...#raw#camera#nikon#intopix#sensor#image processing#z9
September 28, 2021, 03:56 AM
Mont-Saint-Guibert, September 28, 2021 – intoPIX, the leading provider of innovative compression solutions, announces today the extension of its range of TICO RAW IP-cores supporting additional pixel per clock architectures to target more devices and more sensor types.#post production#raw#broadcast#live production#camera#vision effects#intopix#camera raw#editing television#sensor#image processing#medical imaging#automotive advertising#film and television production courses#ip core#tico-raw
September 23, 2015, 04:31 PM
PIXSPAN ANNOUNCES STRATEGIC INTEGRATION WITH AUTODESK CREATIVE FINISHING SUITE#autodesk#raw#arri#pixspan
May 16, 2014, 12:11 PM
Kendall Eckman discusses Blackmagic Design's NABShow announcements including: The Cintel Scanner, The Studio Camera both Ultra HD and Regular HD versions, ATEM Switchers, The Ursa Camera, and they discuss how their users take advantage of these tools. You can learn more about Blackmagic Design from: Website: http://www.blackmagicdesign.com Twitter: http://www.twitter.com/blackmagic_news Instagram: http://www.instagram.com/blackmagicdesign#thunderbolt#blackmagic design#4k#prores#hd#raw#nabshow#cintel#grain redution#scanner#studio camera#atem#ursa#focus#genlock#sensor
January 7, 2013, 03:44 PM
Adobe Premiere Pro and After Effects don't currently natively support the Blackmagic Cinema Camera's CinemaDNG raw files but Ginger HDR have figured out a workaround solution. Watch the tutorial below to find out how to use their $149 software to playback the native files. (via FreshDV)#blackmagic design#adobe#premiere pro#raw
December 24, 2012, 10:06 AM
With the raw format becoming affordable for the first time this year (Blackmagic Cinema Camera, Red One, Ikonoskop) many aspiring filmmakers are considering taking advantage. But to edit raw you need to up the ante on the hardware side.#editing#raw#hackintosh
November 14, 2012, 02:01 PM
The 10.0.6 update to FCPX was huge. One of the new features was the ability to ingest and handle RAW files from the RED range of cameras. Our normal duo get very excited showing how easy this has become in Final Cut Pro X.#fcpx#red#final cut pro#apple#r3d#raw
November 12, 2012, 01:35 PM
Ok, this was really last week's episode that's out a little late. But IMHO it's worth the wait - in it, Steve Martin from Ripple Training shows me how easy it is to work natively with RED R3D files in the Final Cut Pro X 10.0.6 update.#fcpx#final cut pro x#red#r3d#raw#files
November 12, 2012, 09:47 AM
The 10.0.6 update to FCPX was huge. One of the new features was the ability to ingest and handle RAW files from the RED range of cameras. Our normal duo get very excited showing how easy this has become in Final Cut Pro X.#fcpx#final cut pro x#red#apple#raw#raw files
October 29, 2012, 02:53 PM
As of the release of Final Cut Pro X version 10.0.6, native REDCODE RAW and the REDROCKET card are fully supported as of FCP 10.0.6. This is the R3D video file format that is proprietary to RED brand cameras. There are some neat tricks to using REDCODE RAW clips natively in FCP X. In this article I’ll walk you through what you'll need to know if you want to edit REDCODE RAW media natively in FCP X.#fcpx#final cut pro x#red#plugin#r3d#redcode#raw
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