It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
August 22, 2019, 10:46 AM
Hashi of Action Movie Kid demonstrates keying and compositing techniques to turn a live horse into a steed worthy of the Night King’s undead army in Red Giant Cheap Tricks episode 9.#vfx#red giant#game of thrones#red giant vfx#game of thrones vfx#red giant cheap tricks
August 8, 2019, 10:27 AM
Get your cup of Starbucks, mount up, and yell "Dracarys!" with reckless abandon, as we cross the Narrow Sea and explore the VFX of Game of Thrones.#vfx#red giant#game of thrones
November 17, 2017, 09:25 AM
Screen Scene is based out of Ireland and is the leading post house with 50 rooms spread through 20,000 square feet of space. Arrows, fire (more like lots and lots of fire), smoke, and of course bloody gore is all over this showreel from Screen Scene’s work on Game of Thrones Season 7 VFX Breakdown.#game of thrones#vfx breakdown#vfx breakdowns#screen scene
November 2, 2017, 08:07 AM
With the fate of Westeros hanging by a thread as the White Walkers head south of The Wall, Game of Thrones fans all over the world are waiting with bated breath. Every word is as crucial as the next and Production Sound Mixer Daniel Crowley ensures viewers hear it all with a large selection of DPA microphones.#game of thrones#dpa#dpa microphones
September 10, 2015, 12:58 PM
For the second straight year, Montreal-based VFX studio is up for a prestigious Emmy Award for its visual effects work on Game of Thrones#vfx#game of thrones
March 28, 2014, 06:23 PM
What does it take to edit Breaking Bad, Game of Thrones and Arrested Development? Find out in this round up of interviews with editors Kelly Dixon, Oral Ottley and Kabir Acktar.#game of thrones#breaking bad#arrested development#editing television#editing tv shows
May 28, 2013, 12:16 PM
In this episode of The Rough Cut, producer Greg Spence gives us an inside look at their visual effects process and how they blend great location scouting with...#the rough cut#game of thrones#greg spence
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2023 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.