It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
November 29, 2021, 08:34 AM
intoPIX, leading expert in video compression for ProAV, has again extended its large range of JPEG XS codecs with the addition of the Flawless Imaging Profile (FIP) in its revolutionary “TicoXS FIP” Codec. “ProAV manufacturers and integrators can stay ahead of the game with JPEG XS and the Flawless Imaging profile delivered by intoPIX", says Jean-Baptiste Lorent, Director Marketing and Sales. “It has been engineered to enable the best AV distribution standards and workflows in 4K and...#codecs#codec#compression#smpte#8k#image processing#jpegxs#ticoxs#latency#videocompression#imagecompression#ticoxs fip#flawless imaging
October 14, 2021, 03:38 AM
intoPIX the leading expert of innovative video compression solutions, has released - in collaboration with Intel - a new JPEG XS 4K60 HDMI evaluation design on the Intel® Cyclone® 10 GX FPGA Development Kit.#intel#codecs#codec#compression#intopix#jpegxs#fpga#ipcore#jpeg xs#videocompression#cylone10#imagecompression
January 7, 2014, 05:49 AM
An infographic on the basic codecs and formats.#dnxhd#codecs#h264#pro res
December 6, 2013, 11:42 AM
Check out this round up for tons more insider info on what it takes to be a working DIT. Packed full of resources on DIT gear, file and color management workflow approaches and lots of info on codecs and compression, there's something for everyone.#workflows#codecs#compression#dit#how to be a dit#color management#enders game
January 29, 2013, 10:13 AM
(In Spanish) As a final delivery codec norender.com Guide we have a list of the most common codecs in HD and digital cinema, and features. All properties displayed in the list header ( color space , color sampling , color depth , compression , bitrate and resolution ) are explained in the Guide norender.com codecs. They are not all they are, but they are all that are.#color#codecs#render#sampling#bitrate#resolution
January 23, 2013, 08:22 AM
(In Spanish) In this new chapter of the Guide norender.com codecs let's talk about one of the properties of the codecs but perhaps most important of resultonas least of the least sold: the compression . In the marketing of video codecs see constant references to the resolution ( 4k, 5k, 8k! ), the frame rate ( 30, 60, 120, 200 fps ), the color depth ( 10, 12, 16 bits ) but rarely refer to the compression or bitrate which are the properties that best define the quality of a codec.#codecs#compression
November 12, 2012, 01:35 PM
There's much more to visual communication than simply slapping a series of shots together. With video, you need to think about the way you connect your shots.#mpeg#apple#codecs#codec#visual communications#prores 4444#prores 422#h264
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