A community-driven source for post-production information
December 6, 2013, 11:42 AM
Check out this round up for tons more insider info on what it takes to be a working DIT. Packed full of resources on DIT gear, file and color management workflow approaches and lots of info on codecs and compression, there's something for everyone.#workflows#codecs#compression#dit#how to be a dit#color management#enders game
January 29, 2013, 10:13 AM
(In Spanish) As a final delivery codec norender.com Guide we have a list of the most common codecs in HD and digital cinema, and features. All properties displayed in the list header ( color space , color sampling , color depth , compression , bitrate and resolution ) are explained in the Guide norender.com codecs. They are not all they are, but they are all that are.#color#codecs#render#sampling#bitrate#resolution
January 23, 2013, 08:22 AM
(In Spanish) In this new chapter of the Guide norender.com codecs let's talk about one of the properties of the codecs but perhaps most important of resultonas least of the least sold: the compression . In the marketing of video codecs see constant references to the resolution ( 4k, 5k, 8k! ), the frame rate ( 30, 60, 120, 200 fps ), the color depth ( 10, 12, 16 bits ) but rarely refer to the compression or bitrate which are the properties that best define the quality of a codec.#codecs#compression
November 12, 2012, 13:35 PM
There's much more to visual communication than simply slapping a series of shots together. With video, you need to think about the way you connect your shots.#mpeg#apple#codecs#codec#visual communications#prores 4444#prores 422#h264
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor....
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work ...
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