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How To Be A DIT Part 8

December 6, 2013, 11:42 AM

Check out this round up for tons more insider info on what it takes to be a working DIT. Packed full of resources on DIT gear, file and color management workflow approaches and lots of info on codecs and compression, there's something for everyone.

#workflows#codecs#compression#dit#how to be a dit#color management#enders game

January 29, 2013, 10:13 AM

(In Spanish) As a final delivery codec Guide we have a list of the most common codecs in HD and digital cinema, and features. All properties displayed in the list header ( color space , color sampling , color depth , compression , bitrate and resolution ) are explained in the Guide codecs. They are not all they are, but they are all that are.


January 23, 2013, 08:22 AM

(In Spanish) In this new chapter of the Guide codecs let's talk about one of the properties of the codecs but perhaps most important of resultonas least of the least sold: the compression . In the marketing of video codecs see constant references to the resolution ( 4k, 5k, 8k! ), the frame rate ( 30, 60, 120, 200 fps ), the color depth ( 10, 12, 16 bits ) but rarely refer to the compression or bitrate which are the properties that best define the quality of a codec.

The Current State of Codecs

November 12, 2012, 13:35 PM

There's much more to visual communication than simply slapping a series of shots together. With video, you need to think about the way you connect your shots.

#mpeg#apple#codecs#codec#visual communications#prores 4444#prores 422#h264

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