It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
February 3, 2022, 03:21 AM
Go behind the sound of massive Netflix hit 'Don't Look Up' in this new A Sound Effect interview with multi-award winning supervising sound editor/sound designer/re-recording mixer Christopher Scarabosio. He talks about designing space scenes using NASA recordings as reference, creating massives crowds for concerts and rally events that had a limited number of on-screen extras, finding the best way to define distinct locations for quick-cut scenes, and so much more:#post production#filmmaking#sound design#sound effects#film sound#audio post#don't look up
January 17, 2022, 09:27 PM
Audiocastle has announced a partnership with One Thousand Birds (OTB). The deal allies the original music company with the global audio postproduction firm as it continues to expand its scale and scope of offerings dedicated to the needs of commercials and branded content. Dedicated to providing commercials with original music, joining forces with the award-winning audio company integrates a full suite of sound services into Audiocastle's offerings. The new association brings together two ...#audio#mixing#music#audio post#original music#audio design
October 12, 2020, 08:11 PM
Sound designer Jamey Scott takes you behind the sound of Raised by Wolves here, including his approach to sound design as sonic art — how he started from scratch with original sounds, used a sampler to shape the planet’s winds, designed delicate UI sounds, crafted Mother’s array of sounds (from morphing to flying to weaponizing), + much more:#sound design#film sound#audio post#raised by wolves
July 31, 2019, 11:12 AM
In this exclusive A Sound Effect interview, Skywalker Sound’s supervising sound editor Coya Elliott talks about bringing the new characters to life in Toy Story 4, refreshing the classic toys’ sounds, recording new material, and repurposing existing Disney film sounds for the hilarious end-credits scene:#sound design#sound effects#film sound#audio post#toy story 4
May 8, 2019, 11:50 AM
Award-winning original music house & all-in content studio add executive producer Sydney Ferleger to the New York office.#media#color#film#post#production#music#editorial#advertising#artists#audio post#original composition#bands
November 16, 2018, 01:24 AM
Want the story behind the retro-futuristic sound of 'Maniac'? Here are the clever, adventurous sonic experiments that went into creating it, as told by supervising sound editor/sound designer Mariusz Glabinski:#post production#sound design#netflix#sound effects#audio post#maniac
August 21, 2018, 10:33 AM
Blackmagic Design today announced that URSA Mini Pro and DaVinci Resolve Studio were used to create two exciting sports themed campaigns for Zurich Insurance, both directed, shot and post produced by Munich commercials team The Directors Duo.#editing#vfx#color grading#post production#color correction#audio post#delivery
May 10, 2018, 12:35 PM
Blackmagic Design today announced that the thriller “My Daughter Was Stolen” used a variety of its gear throughout production and post, including URSA Mini Pro, URSA Mini 4.6K and Pocket Cinema Camera digital film cameras, DaVinci Resolve 14 Studio for color grading, editing and sound design and Fusion 9 Studio for visual effects (VFX).#editing#blackmagic design#davinci resolve studio#audio post
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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