November 19, 2012, 07:57 AM
http://editmansweden.com/2012/11/19/greatness-of-s...
Sonys S-log really transforms the PMW-F3 to a different camera. It’s as close to shooting raw with the F3 but much easier to deal with in post. The kicker is skintones. Faces looks so natural once graded and even though it was a long time since I worked with 35mm film material it at times reminds me of what I saw back then. I also see very similar grain structure compared to the Alexa and they both share about the same pixel count – about 3.5Mp.
#sony#camera#arri#s-log#slogGordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor....
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work ...
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