To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Workflow

December 5, 2012, 02:59 PM

http://chrisfenwick.com/home/2012/12/5/color-workf...

Dennis O'Clair shared this video with me thru a listener email on the Digital Convergence Podcast. Good job Dennis.

#workflow#color
Avid Transforms the Media Production Workflow with

December 4, 2012, 03:16 PM

http://feeds.avid.com/~r/AvidPressRoom/~3/ebgMluvd...

Role specific, web-based and mobile interface in Interplay Central 1.3 makes it easier for any media professional to engage in the production process

#workflow#media#avid#nle#interplay
Apple Updates RED Workflow White Paper

December 4, 2012, 01:28 PM

http://images.apple.com/finalcutpro/docs/RED_Workf...

Apple has published an updated white paper on RED workflows with Final Cut Pro X. The new edition takes into account version 10.0.6's native ingestion features for RED files as well as providing tips for working with multiple frame sizes and more.

#workflow#fcpx#red#apple#r3d
Avid and Bad Robot Team Up to Host Webinar

December 4, 2012, 01:25 PM

http://www.creativeplanetnetwork.com/2-pop/news/av...

Avid has announced the latest installment in Avid’s Pro Video Webinar series, which is slated for Monday, December 10th and will feature the team behind leading film/TV production company, Bad Robot. The Webinar series offers attendees tips from Hollywood’s leading professionals, underscoring Avid’s commitment to editors who are working to sharpen their skills at all experience levels.

#workflow#avid#star trek#bad robot
Bad Robot Workflows Webinar

December 4, 2012, 08:11 AM

http://www.motionvfx.com/mblog/post,p2051.html

The Bad Robot's editorial, sound and VFX teams are responsible for such television hit series as Lost, Revolution, Alias and Person of Interest as well as several blockbusters including Joy Ride, Mission: Impossible III and Star Trek. It is really great that they will share their experience and knowledge during this event.

#workflow#editor#vfx#film editing#bad robot
RED Digital Workflow of "Hitchcock"

November 28, 2012, 07:51 PM

http://filmmakeriq.com/2012/11/the-red-digital-wor...

Shooting on RED Epics at Red Studios in LA, all the DIT work and dailies of the film "Hitchcock" were handled by one operator working on a cart that housed two 12 core Tower Macs fitted with three Red Rocket cards and 70 terabytes of hard drive space.

#workflow#red#digital#dailies#r3d#hitchcock#la#dit#epic#studios
Digital Rapids Selected as One of GTA

November 27, 2012, 10:37 PM

http://ryansalazar.net/index.php/2012/11/digital-r...

Digital Rapids — the trusted provider of innovative media transformation and workflow solutions for bringing video content to wider audiences — has been selected as one of the Greater Toronto Area’s top employers for 2013. Now entering its eighth year, Greater Toronto's Top Employers is an annual competition organized by Mediacorp Canada Inc., Canada’s largest...

#workflow#digital rapids#toronto
AJA and Efficient Thunderbolt Workflows

November 26, 2012, 03:13 PM

http://feedproxy.google.com/~r/industryhappenings/...

AJA and efficient Thunderbolt workflows for Production and Post Join Creative Planet Network and AJA on November 27th at 12:00 PM EST for this FREE webinar. Thunderbolt(TM) as a technology is finally entering workflows across Production and Post in a significant way and AJA is leading the charge. In this webinar, Bryce...

#workflow#thunderbolt#aja
Skyfall's Post Production Workflow

November 21, 2012, 03:27 PM

http://jonnyelwyn.co.uk/color-grading-and-colour-c...

Inside Skyfall's post production process The latest instalment of the Bond franchise does not disappoint (so go see it if you still can!) and as ever Roger Deakin's cinematography does nothing but delight. Here is a quick round up of some of...

#workflow#editing#film editor#post#post production
Codecs / workflow: Making the optimum choice PT2

November 20, 2012, 10:46 PM

http://broadcastengineering.com/encoders/codecs-wo...

In part one, I described how tapeless cameras offer a wide choice of codecs, with some also having the ability to output raw and/or uncompressed files. The next step in the workflow is to choose an edit codec and then a delivery codec. The choice of edit codec should be influenced by the delivery codec in order to maximize the video quality.

#workflow#codec#optimum

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.