It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
March 22, 2021, 08:55 AM
COVID meant no NAB or IBC shows in 2020, and therefore no in-person Mixers. But we were very happy to welcome 600 attendees to our first virtual Mixer in December. We had brilliant speakers providing insights on all aspects of the industry – you can now watch the videos of these sessions below for free.#ica#mixer#colorist
November 20, 2015, 02:17 PM
SAN FRANCISCO — In this behind-the-scenes video, Mad Max: Fury Road re-recording mixer Matthew Ladarola provides insight into the sonic opportunities afforded by Dolby’s Atmos format (www.dolby.com/Atmos). Ladarola points to the film’s opening scene, where Max is being chased by a car that soars over his head. Using Dolby Atmos, he says, is “the best thing you can do, [to] transcend the space that you’re in, whether it’s your living room or theater, and it feels like you’re ...#atmos#mixer#mad max#fury road
November 1, 2012, 08:27 AM
In this tutorial, Kevin P McAuliffe introduces you to the Audio Mixer, the core tool for audio mixing. He shows you the basics about panning and adjusting your audio levels, and even gives you a great trick to adjust your audio tracks before you even edit them into your timeline.#avid#audio#media composer#kevin mcauliffe#mc6#nle#mixer
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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