It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
April 1, 2021, 09:44 AM
ICYMI, Marvel Studios offers us a insight look with Overall VFX Supervisor Tara DeMarco about creation of the VFX made for WandaVision...#vfx#marvel#wandavision
March 28, 2021, 12:36 PM
There was a lot of pressure on Marvel’s WandaVision when it premiered in January following a year without any movies or series set in the Marvel Cinematic Universe. The show delivered on those high expectations, though, with one of Marvel’s most unique projects to date.#vfx#marvel#wandavision
March 24, 2021, 08:46 AM
Tara DeMarco has over 20 years experience in visual effects as a Flame artist. She worked for over 12 years at The Mill before joining Marvel Studios in 2019. Today she talks to us about her work on WandaVision.#flame#vfx#mill#marvel#comics
May 8, 2019, 06:12 AM
Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:#sound design#marvel#film sound#avengers endgame
May 9, 2016, 03:11 PM
Today's guest is Mark Hartzell (editor on True Blood, Agent Carter, Animal Kingdom) to talk about how he got into TV editing and what the differences are between TV editors and feature film editors. What it's like transitioning from show-to-show often How does the workflow differ between shows? How do you know when to say "No" to a script? ...and how do you do it politely and professionally so that bridges don't get burned? How to work your way onto one of the BIG shows like Agent Carter?#avid#adobe#media composer#premiere#film editing#post production#freelance#clients#business#marvel#entrepreneur#mark hartzell#agent carter
February 16, 2016, 06:53 AM
WARNING — Avid and FCPX fans should not read this post! This article does not contain any Deadpool spoilers. Unless you don't know Deadpool was edited in Premiere Pro CC. In which, it's too late and now you know.#adobe#premiere pro#creative cloud#marvel#deadpool
July 23, 2015, 07:31 AM
In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now have the podcast transcribed as well so you can now read it or listen to it. Check it out!#editor#editing#vfx#film#post production#dan lebental#movie#marvel#ant man
April 2, 2014, 04:53 PM
Behind the scenes picture of how the award-winning sound team on Captain America: The Winter Soldier created the soundscape for the Marvel's new blockbuster. Produced in partnership with MPSE. Speakers: Shannon Mills, supervising sound editor/sound designer; Dan Laurie, supervising sound editor; Bruce Markoe, SVP Feature PP, Marvel and Tom Kenny editor, Mix Magazine (moderator).#soundtrack#sound design#captain america#sound editing#marvel#skywalker sound#soundscape
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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