A community-driven source for post-production information
May 8, 2019, 06:12 AM
Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:#sound design#marvel#film sound#avengers endgame
May 9, 2016, 15:11 PM
Today's guest is Mark Hartzell (editor on True Blood, Agent Carter, Animal Kingdom) to talk about how he got into TV editing and what the differences are between TV editors and feature film editors. What it's like transitioning from show-to-show often How does the workflow differ between shows? How do you know when to say "No" to a script? ...and how do you do it politely and professionally so that bridges don't get burned? How to work your way onto one of the BIG shows like Agent Carter?#avid#adobe#media composer#premiere#film editing#post production#freelance#clients#business#marvel#entrepreneur#mark hartzell#agent carter
February 16, 2016, 06:53 AM
WARNING — Avid and FCPX fans should not read this post! This article does not contain any Deadpool spoilers. Unless you don't know Deadpool was edited in Premiere Pro CC. In which, it's too late and now you know.#adobe#premiere pro#creative cloud#marvel#deadpool
July 23, 2015, 07:31 AM
In this episode, Gordon interviews Dan Lebental about his process for editing the latest Marvel extravaganza, Ant-Man. We now have the podcast transcribed as well so you can now read it or listen to it. Check it out!#editor#editing#vfx#film#post production#dan lebental#movie#marvel#ant man
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