A community-driven source for post-production information
October 26, 2021, 04:47 PM
Brand’s Mics Provide Discreet Solution for Unique Film Set PARIS – When it came time to record the Netflix original French-language film, Oxygène (Oxygen in English), the audio team had quite the challenge in front of them. The premise of the scientific horror film focuses on a scientist, played by French Actress Melanie Laurent, who has lost her memory, awakens, trapped in a medical pod and must find her way out before the oxygen levels diminish. Given the setting, the pod is used for 9...#dpa microphones#film sound#subminiature mics
October 12, 2020, 08:11 PM
Sound designer Jamey Scott takes you behind the sound of Raised by Wolves here, including his approach to sound design as sonic art — how he started from scratch with original sounds, used a sampler to shape the planet’s winds, designed delicate UI sounds, crafted Mother’s array of sounds (from morphing to flying to weaponizing), + much more:#sound design#film sound#audio post#raised by wolves
May 14, 2020, 07:25 AM
Want the story behind Netflix's hugely popular The Witcher series? Sound supervisors Matthew Collinge and Danny Sheehan cover everything from the sounds of magic, dragons and zombies, to dialogue, processing and Foley in this new interview:#sound design#sound effects#film sound#the witcher
February 21, 2020, 02:57 PM
Here, director Bong Joon Ho's go-to for sound supervision and mixing, Ralph Tae-Young Choi, talks about his approach to designing the contrasting worlds of the wealthy Park family and the working-class Kim family who latches onto them:#sound design#sound effects#film sound#parasite
September 18, 2019, 05:57 PM
Take a sound design deep-dive with Tim Nielsen on the lush sound for 'The Dark Crystal: Age of Resistance' here - covering how they brought 100+ creatures to life with sound, the importance of Foley, timing, rhythm, challenges and inventive solutions, and some detailed creature sound design stories:#sound design#sound effects#film sound#the dark crystal
July 31, 2019, 11:12 AM
In this exclusive A Sound Effect interview, Skywalker Sound’s supervising sound editor Coya Elliott talks about bringing the new characters to life in Toy Story 4, refreshing the classic toys’ sounds, recording new material, and repurposing existing Disney film sounds for the hilarious end-credits scene:#sound design#sound effects#film sound#audio post#toy story 4
May 8, 2019, 06:12 AM
Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound - including the audio team's tactics for creating sounds that match the scale of what’s on-screen, how they kept the epic battles from becoming a chaotic mess, working with (and recreating) unique superhero signature sounds & much more:#sound design#marvel#film sound#avengers endgame
January 28, 2019, 06:59 AM
In this in-depth A Sound Effect interview, supervising sound editors Peter Brown and Joe Dzuban take you behind the scenes on their sound work for the film - covering everything from creatively crafting powerful water sounds, creating Trident hits, ‘laser’ guns, and gigantic deep-sea battle sounds, to the challenges of designing (intelligible) underwater vocals:#sound design#film sound#aquaman#aquaman sound#aquaman sound design
January 18, 2019, 01:17 AM
80+ million viewers watched 'Bird Box' on Netflix in its first 4 weeks - and here's the story behind the sound for this mysterious tale, as told by supervising sound editors/sound designers Glenn Freemantle and Ben Barker:#sound design#netflix#sound effects#film sound#bird box
Gordon sits down with editor Janus Billeskov Jansen to discuss editing the groundbreaking documentar...
Gordon sits down with Ian Grech to discuss the editing of the documentary 14 Peaks: Nothing is Impos...
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
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