A community-driven source for post-production information
November 29, 2012, 14:53 PM
In the past, the sheer horsepower of our computers was far less, so much so, that most computers could only play back video using smaller image sizes or lower frame rates. (Anyone remember watching computer videos that were 320x240? I remember building a business where the only videos we could create were that size.)#editor#imacs#video editing
November 27, 2012, 22:37 PM
Laying out the rest of the groundwork for designing your project, this post concludes my four-part Laying out the rest of the groundwork for designing your project, this post concludes my four-part series on the magical, imagineering aspects and grounded engineering requirements of envisioning your film from an editorial standpoint. 3) Shoot right for postproduction...#editor#editing#film editor#postproduction
November 27, 2012, 15:18 PM
Todd Gill is a freelance editor and colorist with over 12 years of experience in the post production industry. He has worked on many national, regional, and local TV campaigns, as well as, documentary, and corporate videos. Like most...#editor#film editor#film editing#todd gill#local
November 26, 2012, 15:14 PM
"When I read the screenplay, I knew this had the chance to be a special film," William Goldenberg shared about his feelings when he was approached to edit Argo, director Ben Affleck's dramatization of the secret 1980 operation to extract six fugitive diplomats from Iran during that country's Islamic revolution and embassy hostage crisis.#editor#editing#film editor#william goldenberg#argo
November 25, 2012, 16:36 PM
Using a newly developed editing machine that he dubbed the "three-headed monster," Dann Cahn pioneered multi-camera editing on sitcoms in the 1950s while helping to craft a classic, "I Love Lucy." Lucy broke ground in television by employing three cameras instead of one for filming, a then-novel system that allowed an episode to be filmed as though it were a stage play — continuously and in sequence.#editor#film editor#film editing#dann cahn
November 25, 2012, 11:33 AM
This is an on-going post-production diary I'm keeping while I cut my first feature film, The Impersonators, an indie comedy. I just realized it's been two months since I last updated about The Impersonators. The reason is because there hasn't...#editor#editing#film editor#first film
November 23, 2012, 15:43 PM
You've heard it plenty of times by now: cinema, as we have come to know it, is dead. In a new piece for The Atlantic, Daniel Eagan explains why old films, shot and exhibited on film, may not be getting the restorations they deserve.#editor#film editor#film editing#thelma schoonmaker
November 22, 2012, 12:57 PM
NewTek announces the shipment of Virtual Set Editor 2, a companion application to TriCaster(TM) that allows for complete creation and customization of virtual studio environments and visual effects for any video production, without the need for professional studio space. "Traditionally, virtual studios have been out of the reach of most people who produce video, requiring expensive investments...#editor#newtek#tricaster#virtual set
November 22, 2012, 12:55 PM
Last night I worked into the wee hours with editor friend Simon Reglar, planning the post production process for 50 Kisses. Simon is an old pal who worked with me on Urban Ghost Story before pursuing a career as an editor – he is currently wrapping up on Merlin for the BBC after which he will jump ship to edit 50 Kisses. FANTASTIC!#editor#editing#film editor#film#post
November 21, 2012, 12:43 PM
Comedy editing is one of the more difficult styles of editing. If the actors delivery is off, the timing is off and as an editor, you need to "Try" to fix it for pacing and timing in the overall film. Not everyone is meant to...#editor#film editor#comedy#jeff wolf
Avid filled in some workflow gaps at IBC 2019, announcing native support for Apple ProRes Raw in Med...
At one point in Chad Stahelski’s John Wick: Chapter 3 – Parabellum, Keanu Reeves’ titular char...
Blackmagic Design scaled down the production switcher at IBC, announcing the new Atem Mini, a $295 l...
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