A community-driven source for post-production information
January 29, 2013, 02:37 PM
For a while now I've heard from DoPs and cinematographers in India shooting movies on digital cameras - Alexa, Red, Sony Canon etc - requesting the services of a DIT "just like in Hollywood". Which basically means what they read about on the net, in forums, and in American Cinematographer.#arri#alexa#dit#dp
January 18, 2013, 07:55 AM
Do you know what a DIT (digital imaging technician) does on a feature-film set? Come to our next In Person event on Tuesday, January 29th to find out about this important if little remarked upon craft. That’s when Dave Satin presents and leads a discussion about just what goes into his work as a DIT on the set of top features and commercials in New York City.#dit#digital intermediate technician
January 2, 2013, 01:18 PM
The media management and quality control handled by the digital imaging technician and post house is nearly universally vital in modern filmmaking, where each digital camera brings its own varying formats, workflows, and quirks. This need for DITs and post houses, however, may evaporate just as quickly as it has arisen — at least according to the predictions of Michael Cioni.#film#post#dit
December 28, 2012, 08:50 AM
This entry was based on a reduser.net thread about building DIT carts. The thread asked a lot of challenging questions about the process, the tools, the players, the evolution and the future. For reference...#dit#dilemma#reduser
November 28, 2012, 07:51 PM
Shooting on RED Epics at Red Studios in LA, all the DIT work and dailies of the film "Hitchcock" were handled by one operator working on a cart that housed two 12 core Tower Macs fitted with three Red Rocket cards and 70 terabytes of hard drive space.#workflow#red#digital#dailies#r3d#hitchcock#la#dit#epic#studios
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