A community-driven source for post-production information
June 16, 2013, 01:43 AM
In this 10 minute behind the scenes featurette from the 2001 classic O Brother Where Art Thou, Roger Deakins and The Coen Brothers take us on a tour of how they achieved the first full feature film digital intermediate.#digital intermediate#colour grading#o brother where art thou#roger deakins
December 2, 2012, 16:51 PM
To ensure color consistency from dailies to DI for Skyfall, Company 3 London and EFILM collaborated to create an integrated pipeline, newly branded EC3. Skyfall cinematographer Roger Deakins, ASC, BSC was able to enjoy dailies graded by his long-time CO3 Santa Monica colorist working out of London, and the two facilities coordinated color science and calibration for an overall consistent look throughout the process.#di#dailies#digital intermediate
November 24, 2012, 09:42 AM
Santa Clara, CA – ASSIMILATE, the leading global provider of DI and dailies tools for digital cinema, episodic television, commercials and spot workflows, is now shipping the next generation of its SCRATCH and SCRATCH Lab products. SCRATCH v7 features a powerful new suite of enhanced 3D compositing tools that integrate seamlessly into its world-class color-grading, data management and finishing system to allow far faster, more fluid and more cost-effective DI sessions, known as Creative DI.#di#scratch#digital intermediate
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor....
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work ...
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