It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
January 7, 2022, 01:00 PM
In this video, you will discover the advanced features of the color page. You’ll learn how to set up color management, how to structure grades using the node editor, work with RAW media, grade with the HDR palette, track with the magic mask and much more!#blackmagic design#davinci resolve
January 7, 2022, 12:58 PM
This video, the first in a new 5 part series, provides you with an introduction to the color page before delving into the art of color grading. Learn how and why you should use the primary and secondary grading features, along with how to read scopes.#blackmagic design#davinci resolve
January 7, 2022, 12:48 PM
Learn how to work faster and get more creative control with the DaVinci Resolve Mini Panel! Discover how to navigate the color page, adjust multiple parameters simultaneously and grade without using a mouse.#blackmagic design#davinci resolve#davinci resolve mini panel
January 7, 2022, 12:46 PM
In this final video, we expand on the importance of color management in your workflow. You’ll learn what exactly color management is and discover each of the color management systems and settings available in DaVinci Resolve. Plus we’ll show you how to color manage with HDR and how to use Dolby Vision.#blackmagic design#davinci resolve
January 7, 2022, 12:45 PM
In this video, we show you how to prepare your content for delivery! You’ll learn how to work with presets on the deliver page, set up a render queue, how to deliver video for online use and more!#blackmagic design#davinci resolve
January 4, 2022, 01:48 PM
Blackmagic Design has today announced that DaVinci Resolve was used throughout the digital intermediate (DI) pipeline on 20th Century Studios’ new action film, and third in the Kingsman spy series, “The King’s Man.”#blackmagic design#davinci resolve#pocket cinema camera 6k and micro studio camera 4k
September 1, 2021, 09:22 AM
Blackmagic Design has today announced that Compartment No. 6 (Hytti nro 6) was amongst the films at this year’s Cannes Film Festival to be graded on DaVinci Resolve.#blackmagic design#davinci resolve#davinci resolve studio
December 14, 2020, 02:22 PM
Blackmagic Design today announced that 8 part historical drama series, Atlantic Crossing, was graded in DaVinci Resolve by Nordisk Film Shortcut Oslo senior colorist, Dylan R. Hopkin.#blackmagic design#davinci resolve
November 13, 2020, 05:59 PM
DaVinci Resolve 17.1 now supports M1 on macOS Big Sur.#blackmagic design#davinci resolve
October 1, 2020, 03:36 PM
Blackmagic Design today announced that the new horror film by Rob Grant, “ALIVE.,” used Pocket Cinema Camera 4K for action shots. The film, which was shown across the United States in drive in theaters in September of 2020, was also graded using Blackmagic Design’s DaVinci Resolve.#blackmagic design#davinci resolve#pocket cinema camera 4k
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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