It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
January 23, 2013, 02:34 PM
Craig McKay is one of the editors of the film, along with Reynald Bertrand, built, in his words, in the editing room. This entry is the appetizer for the following translation I am preparing What do you have to do? That is an interview with an editor of a documentary without dialogue. Enough said. Well, come on, say that the documentary is the host, which is the last I've seen and that the interview is a real source of knowledge. For now, I leave you with babies, it's very funny...#craig mckay#editing#film editor
January 5, 2013, 11:37 AM
Editor Craig McKay, A.C.E. discusses the departure from strict narrative structure as seen in "Philadelphia."#ace#craig mckay#film editor#film editing#manhattan edit workshop#american cinema editors#philadelphia
December 28, 2012, 02:26 PM
Editor Craig McKay, A.C.E. talks about working with and learning from Dede Allen as they worked on "Reds."#ace#craig mckay#film editor#film editing#reds
December 24, 2012, 10:09 AM
Editor Craig McKay, A.C.E. talks about the process of parallel cutting as seen in "The Silence of the Lambs."#ace#craig mckay#film editor#film editing#american cinema editors
December 15, 2012, 11:47 AM
Thanks to our new analytics tools we now can track the popularity of posts. So with that in mind, here's the top posts from December 10-14, 2012.#craig mckay#avid#media composer#nle#film editor#film editing#4k#documentary#manhattan edit workshop#mewshop#b-reel#oscar#michael cioni
December 13, 2012, 11:11 PM
Speaking about the evolution of the story ... It is interesting the way you play with the viewer's expectations by breaking the logical evolution of personajes.D and A: We wanted to keep thin layers of background of the characters, so when you think you know a character that fits with a certain stereotype, reveal something about him that makes you see something different. The guy you were listed as a fool becomes more complicated than that: identifies himself as the guy who makes the tough...#craig mckay#silence of the lambs#film editor#film editing
December 13, 2012, 03:39 PM
Editor Craig McKay, A.C.E. discusses the technique of cutting to music using#ace#craig mckay#film editor#post production#documentary#europa report#10#000 men#ain't them bodies saints#completed#the conspirator
October 29, 2012, 04:53 PM
As a 28-year-old ballet dancer in New York, Lisa Bromwell, A.C.E., was looking at a career with limited longevity. She’d always been interested in film, however, and landed a job as a set PA to get a sense of what it was like to make a movie...#editor#ace#lisa bromwell#eric brodeur#craig mckay#assistant#silence of the lambs#the sessions
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2023 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.