It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
August 10, 2018, 01:24 PM
The award for first UK TV commercial to show a woman shaving herself goes to women's razor company Friction Free Shaving. Editor Andy Sackey describes his workflow for the TV commercial in Premiere Pro.#editing#adobe#premiere pro#adobe premiere#commercial
February 1, 2016, 11:00 AM
Working with 4K footage shot at 1000 frames per second demands a powerful and flexible editing system, which is why editor Jimmy Falinski edits in Adobe Premiere Pro CC.#premiere pro#tv#interview#commercial#sports
April 2, 2014, 04:32 PM
Frankie, the browser-based and interactive video review tool from the maker of Academy Award™-winning cineSync, is a key part of the review-and-approval process for the commercial campaigns of Drive Thru. Based in Minneapolis, Drive Thru is a production and postproduction company that relies on Frankie during sales pitches, throughout its internal creative process and for collaborative review-and-approval sessions with clients. With Frankie, companies like Drive Thru now have an innovative too...#commercial#video review#tvc#online video#remote review#drive thru#frankie review
January 14, 2013, 02:47 PM
Company 3 has announced the addition of award-winning colorist Bob Festa. Festa is an accomplished colorist in postproduction. His credits include numerous brands and some notable commercial advertising. Along the way, Bob has worked with the industry's finest directors and top creative talented. Festa received Da Vinci's Master Colorist Award in 2004 as the Commercial Colorist of the Year and is a four-time ITS Monitor Award finalist.#post production#colorist#company 3#bob festa#commercial
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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