A community-driven source for post-production information
November 19, 2015, 04:28 AM
Learn from professional film and television colorists in this round up of craft interviews with a raft of global colorists.#color grading#colour#color correction#colorists#film and tv
February 3, 2015, 23:33 PM
Bringing with it new features such as CinemaDNG colour algorithms, DNxHR 4K, and improved Avid round tripping, amongst others.#editing#grading#color#colour#grade#temperature
February 6, 2013, 11:58 AM
For writer/director Bryan Buckley, it was time to do something different. A commercial director and co-founder of the production company Hungry Man, Buckley has put Martin Scorsese and Suri together in the back of cab for Apple, Ellen DeGeneres together with a motley crew of wild and barnyard animals for American Express, and some 40 spots into that precious airtime during the Super Bowl. But his latest work, "Asad," a narrative short film about the struggles of a young Somali refugee...#color#colour#colorist#chris ryan#asad
January 26, 2013, 09:36 AM
We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is...#color#colour#correction#blender
January 22, 2013, 07:47 AM
This is the sort of question that vexes film and TV people because we're torn between two things: the need to follow conventions, so that the audience can follow what's going on, and the desire to be original. Or, to put it another way, we're a bunch of insecure fashion victims who lack the courage of our own convictions.#color#post#colour#night
January 21, 2013, 09:28 AM
Dale Grahn, who is what used to be called a Colour Timer in the days when there was no digital colour processing, has created the colour "look" of some seminal films of the last couple of decades: Saving Private Ryan, Gladiator and Munich. Having Stephen Spielberg on your resume is obviously a good thing.#nle#colour#redshark
January 17, 2013, 07:36 AM
We can't bring you every showreel that we see here at RedShark. Many of them are amazing but, honestly, that's what YouTube is for. But what we do like to do is bring you clips that illustrate a point that we think is important, and this one does it nicely.#grading#color#colour#showreel#redshark
January 7, 2013, 09:23 AM
Avid Media Composer 6.5 has a number of new features that it shares with Avid’s step-up in terms of colour management, Symphony 6.5. The new features are mainly situated in the domain of audio support, better file relinking management, codec support, and advanced features. But I was mainly interested in Symphony 6.5 because of its colour editing capabilities.#avid#nle#color#colour#symphony
January 4, 2013, 08:12 AM
How often do people really take the time to explain the real basics? With stuff like colour correction, while you can and should rely on your eyes and a good, colour-calibrated monitoring system, you also need to make sure that your graded output is technically OK, or it might be rejected by your client...#colour#correction
November 28, 2012, 14:43 PM
Technicolor has released a USD99 color correction tool called CineStyle Color Assist. Says Vincent Laforet, "The beauty of this software is that it allows you to do only as much as you want, or need to. You can get quite far in terms of how far you push an image within this software – or you can do some very quick adjustments on set and send those over to your colorists with a sidecar file – if you're a DP on set for example. CineStyle Color Assist does all of this – but stops short of going...#color#colour#color correction#technicolor
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor....
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work ...
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