It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 4, 2021, 03:08 PM
What is the difference between color grading vs color correction? In this post, we'll walk you through the video color process and best practice workflows.#color#color correction
April 26, 2018, 03:24 AM
WHAT PREMIERE PRO USERS ARE SAYING ABOUT THE NEW FEATURES IN PREMIERE PRO CC 2018 (12.1). After every major release of Premiere Pro CC, we assemble a "user review" featuring Tweets from you, Premiere Pro users, and assess how well the new features were received. See what other video editors have to say about Color Match, Auto-Ducking, and other new features in Premiere Pro CC 2018 (12.1).#editing#adobe#premiere pro#color#adobe premiere
May 7, 2014, 12:05 PM
Assimilate Inc's Steve Bannerman is interviewed by Manhattan Edit Workshop's Josh Apter at NABShow 2014 from the Aotg.com booth. They discuss Scratch and Scratch Labs, 4K workflows, Stereo 3D, turnkey systems, and so much more!#editing#3d#vfx#color#film#4k#post production#onset#mew#manhattan edit workshop#scratch#aotg#scratch play#josh apter#steve bannerman#2k
February 6, 2013, 11:58 AM
For writer/director Bryan Buckley, it was time to do something different. A commercial director and co-founder of the production company Hungry Man, Buckley has put Martin Scorsese and Suri together in the back of cab for Apple, Ellen DeGeneres together with a motley crew of wild and barnyard animals for American Express, and some 40 spots into that precious airtime during the Super Bowl. But his latest work, "Asad," a narrative short film about the struggles of a young Somali refugee...#color#colour#colorist#chris ryan#asad
January 29, 2013, 10:13 AM
(In Spanish) As a final delivery codec norender.com Guide we have a list of the most common codecs in HD and digital cinema, and features. All properties displayed in the list header ( color space , color sampling , color depth , compression , bitrate and resolution ) are explained in the Guide norender.com codecs. They are not all they are, but they are all that are.#color#codecs#render#sampling#bitrate#resolution
January 26, 2013, 09:36 AM
We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is...#color#colour#correction#blender
January 22, 2013, 07:47 AM
This is the sort of question that vexes film and TV people because we're torn between two things: the need to follow conventions, so that the audience can follow what's going on, and the desire to be original. Or, to put it another way, we're a bunch of insecure fashion victims who lack the courage of our own convictions.#color#post#colour#night
January 19, 2013, 09:36 AM
Blackmagic Design has announced a major release of DaVinci Resolve 9.1. The update enables customers to use Resolve with Apple’s Macbook Retina technology. DaVinci Resolve will be able to run on the 15” Retina MacBook Pro at the best image quality setting.#davinci#resolve#color#pro#macbook
January 18, 2013, 07:53 AM
Dale Grahn Color is a nice little app that you will find on the App Store. It not only allows you to make your pictures better, but also to learn a lot of useful stuff thanks to informative tutorials.#color#correction#dale grahn
January 17, 2013, 07:36 AM
We can't bring you every showreel that we see here at RedShark. Many of them are amazing but, honestly, that's what YouTube is for. But what we do like to do is bring you clips that illustrate a point that we think is important, and this one does it nicely.#grading#color#colour#showreel#redshark
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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