It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 2, 2021, 12:43 PM
Google News: post production#color
April 24, 2021, 09:16 AM
Google News: post production#color
March 25, 2021, 08:55 AM
As part of the studio’s service expansion efforts, ArsenalFX Color has made several key hires. Cortney Haile has been named VP of business development. She will spearhead growth of the VFX department’s offerings including scripted VFX and on-set supervision. Additional key hires include chief engineer Albert Soto and senior colorist J.R. Benson. The new talent complements the company’s decade of expertise in 2D compositing VFX and other high-end post-production services, supporting the exp...#color#arsenalfx
March 19, 2021, 09:43 AM
Don’t reach for the silk doublet or the overabundant bowl of grapes just yet. Chiaroscuro isn’t that fancy. At its most basic, the term describes the use of high contrast lighting to simulate depth on a 2D surface. The word even contains its own definition: “chiaro” means light, and “oscuro” means dark. Easy peasy.#color#cinema#history#cinematography
March 16, 2021, 08:48 AM
Developed by a team of passionate engineers, designers, and video professionals at LumaTouch, the new version of LumaFusion – v2.4.4 – adds the FiLMiC deLOG V3 LUT as a free upgrade. With this addition to the LumaFusion workflow, FiLMiC deLOG V3 LUT radically simplifies advanced color grading for filmmakers and editors, says the company.#color#lumafusion
September 4, 2018, 07:23 AM
3-Part Tutorial Series On Lumetri Scopes And Lumetri Color Panel In Premiere Pro. This tutorial series, featuring chinfat, is truly all you need to know about color correction and color grading in Premiere Pro.#adobe#premiere pro#color#adobe premiere#lumetri
February 3, 2015, 11:33 PM
Bringing with it new features such as CinemaDNG colour algorithms, DNxHR 4K, and improved Avid round tripping, amongst others.#editing#grading#color#colour#grade#temperature
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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