It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 2, 2021, 12:43 PM
Google News: post production#color
April 24, 2021, 09:16 AM
Google News: post production#color
March 16, 2021, 08:48 AM
Developed by a team of passionate engineers, designers, and video professionals at LumaTouch, the new version of LumaFusion – v2.4.4 – adds the FiLMiC deLOG V3 LUT as a free upgrade. With this addition to the LumaFusion workflow, FiLMiC deLOG V3 LUT radically simplifies advanced color grading for filmmakers and editors, says the company.#color#lumafusion
May 8, 2019, 11:50 AM
Award-winning original music house & all-in content studio add executive producer Sydney Ferleger to the New York office.#media#color#film#post#production#music#editorial#advertising#artists#audio post#original composition#bands
September 4, 2018, 07:23 AM
3-Part Tutorial Series On Lumetri Scopes And Lumetri Color Panel In Premiere Pro. This tutorial series, featuring chinfat, is truly all you need to know about color correction and color grading in Premiere Pro.#adobe#premiere pro#color#adobe premiere#lumetri
April 26, 2018, 03:24 AM
WHAT PREMIERE PRO USERS ARE SAYING ABOUT THE NEW FEATURES IN PREMIERE PRO CC 2018 (12.1). After every major release of Premiere Pro CC, we assemble a "user review" featuring Tweets from you, Premiere Pro users, and assess how well the new features were received. See what other video editors have to say about Color Match, Auto-Ducking, and other new features in Premiere Pro CC 2018 (12.1).#editing#adobe#premiere pro#color#adobe premiere
May 7, 2014, 12:05 PM
Assimilate Inc's Steve Bannerman is interviewed by Manhattan Edit Workshop's Josh Apter at NABShow 2014 from the Aotg.com booth. They discuss Scratch and Scratch Labs, 4K workflows, Stereo 3D, turnkey systems, and so much more!#editing#3d#vfx#color#film#4k#post production#onset#mew#manhattan edit workshop#scratch#aotg#scratch play#josh apter#steve bannerman#2k
January 29, 2013, 10:13 AM
(In Spanish) As a final delivery codec norender.com Guide we have a list of the most common codecs in HD and digital cinema, and features. All properties displayed in the list header ( color space , color sampling , color depth , compression , bitrate and resolution ) are explained in the Guide norender.com codecs. They are not all they are, but they are all that are.#color#codecs#render#sampling#bitrate#resolution
January 26, 2013, 09:36 AM
We've just found a really excellent video tutorial about Blender's colour correction tools. It's not just a good lesson in colour manipulation: it reminds us what a powerful tool Blender really is...#color#colour#correction#blender
January 19, 2013, 09:36 AM
Blackmagic Design has announced a major release of DaVinci Resolve 9.1. The update enables customers to use Resolve with Apple’s Macbook Retina technology. DaVinci Resolve will be able to run on the 15” Retina MacBook Pro at the best image quality setting.#davinci#resolve#color#pro#macbook
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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