It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 9, 2016, 03:11 PM
Today's guest is Mark Hartzell (editor on True Blood, Agent Carter, Animal Kingdom) to talk about how he got into TV editing and what the differences are between TV editors and feature film editors. What it's like transitioning from show-to-show often How does the workflow differ between shows? How do you know when to say "No" to a script? ...and how do you do it politely and professionally so that bridges don't get burned? How to work your way onto one of the BIG shows like Agent Carter?#avid#adobe#media composer#premiere#film editing#post production#freelance#clients#business#marvel#entrepreneur#mark hartzell#agent carter
March 12, 2016, 11:15 AM
A lot of headaches can be avoided simply by asking the right question before you start working. We have 3 questions for the corporate/commercial editor and 3 for the narrative/feature film editor. So really you're getting double the value here.#avid#adobe#media composer#premiere#film editing#post production#freelance#clients#business#entrepreneur
December 5, 2012, 07:34 AM
In today's digital age of ftp, Drop box, "the cloud", why isn’t there more of a lure and desire from clients to work with an editor remotely? The big studios do it all the time with 3D specialists based all over the world and even render to remote locations.#film editing#craft#clients#ftp#art
November 20, 2012, 08:13 AM
Keep your clients happy and coming back with these simple - yet super effective - tips for creative professionals. Video editors, designers and photographers, follow these client tips for success!#film editors#clients#editors#video editors
November 12, 2012, 05:04 AM
(This weeks hack recommended by editor Joe B.) I use DropBox all the time to collaborate with my clients, other editors and designers. Its usability is really tough to beat. But wouldn't it be cool if me and and the other ...#editor#clients#dropbox#cinexplayer#joe b
November 11, 2012, 08:07 AM
How to deal with difficult clients I’ll be the first to admit I like laughing at the silly things ‘clients’ say and on the internet you don’t have to look very far for plenty of those. Fast Co Create recently … Continue reading →#difficult clients#clients
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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