It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
May 5, 2017, 07:23 AM
Honored with two TIPA Awards and the Digital Imaging Reporter 2017 Retailers' Choice Award for its still photography lenses; receives StudioDaily Prime, NewBay Best of Show and ProductionHub Excellence Awards for its breakthrough Cine lenses#production#nab#filmmaking#cameras#sigma#cine lenses
April 12, 2017, 09:21 AM
The sensor itself is a CMOSIS CMV12000 with a resolution of 4096×3072, a color depth of 12-bit, and 300FPS capture (if in 10-bit). apertus° recently released a collection of clips shot over an 18 month testing period on a variety of lenses including Nikon primes, Contax, M42, Canon and other Nikon lenses.#color grading#beta#cameras#apertus#axiom
February 28, 2017, 06:05 AM
The GH5 has a much cleaner final image without the blocky color noise you’ll see in the GH4. Instead of comparing just the camera output I wanted to compare what it looks like after basic processing.#cameras#panasonic#gh5#pixelpeeping
December 10, 2015, 12:32 PM
Win a brand new Canon 7D Mark II camera between December 14th and 18th from Adorama by following #AdoramaxCanonNYCHunt on Facebook, Instagram and Twitter for clues to finding the big prize#canon#photography#adorama#cameras#twitter#instagram#5 days of christmas#scavenger hunt#facebook#prize#consumer tech
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