It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
March 22, 2016, 12:14 PM
This commercial was shot using Arri Alexa's 4:3 anamorphic mode and cut in Adobe Premiere Pro CC. Tips from editor Jimmy Falinski.#adobe#premiere pro#arri#alexa#anamorphic
August 24, 2013, 05:22 PM
A container, like a glass containing liquid. That glass would be the metadata and the liquid in that glass would be the essence. I want to replace low quality liquid with high quality uncompressed master resolution liquid. Using the Resolve and Avid Symphony I can end up with an uncompressed .mxf file with embedded “Tape” name metadata created from the best known masters also known as RED, ALEXA, 5D, 7D, GoPro, P2, Phantom, Sequential Files, Tape, etc.#avid#red#5d#gopro#alexa#tape#7d#p2#phantom#sequential files
January 29, 2013, 02:37 PM
For a while now I've heard from DoPs and cinematographers in India shooting movies on digital cameras - Alexa, Red, Sony Canon etc - requesting the services of a DIT "just like in Hollywood". Which basically means what they read about on the net, in forums, and in American Cinematographer.#arri#alexa#dit#dp
December 16, 2012, 10:55 AM
(In Spanish) Researching on the Alexa camera, ARRI, I found a number of links with diverse experiences and viewpoints while clarifying, open questions regarding the workflow to follow with the camera, to work with her in the editing process and post. I note in my notebook of all these data 'enlightening'.#fcpx#post#alexa
November 15, 2012, 10:12 PM
Undead hits The Walking Dead (shooting on film) and The Vampire Diaries (shooting with ARRI Alexa) are both shot near Atlanta, GA, and both rely on Crawford Media Services for dailies for two very different workflows, one revolving around the ARRI Alexa, the other around Super 16 film.#film#dailies#walking dead#vampire diaries#arri#alexa#super 16
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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