A community-driven source for post-production information
March 22, 2016, 12:14 PM
This commercial was shot using Arri Alexa's 4:3 anamorphic mode and cut in Adobe Premiere Pro CC. Tips from editor Jimmy Falinski.#adobe#premiere pro#arri#alexa#anamorphic
August 24, 2013, 05:22 PM
A container, like a glass containing liquid. That glass would be the metadata and the liquid in that glass would be the essence. I want to replace low quality liquid with high quality uncompressed master resolution liquid. Using the Resolve and Avid Symphony I can end up with an uncompressed .mxf file with embedded “Tape” name metadata created from the best known masters also known as RED, ALEXA, 5D, 7D, GoPro, P2, Phantom, Sequential Files, Tape, etc.#avid#red#5d#gopro#alexa#tape#7d#p2#phantom#sequential files
January 29, 2013, 02:37 PM
For a while now I've heard from DoPs and cinematographers in India shooting movies on digital cameras - Alexa, Red, Sony Canon etc - requesting the services of a DIT "just like in Hollywood". Which basically means what they read about on the net, in forums, and in American Cinematographer.#arri#alexa#dit#dp
December 16, 2012, 10:55 AM
(In Spanish) Researching on the Alexa camera, ARRI, I found a number of links with diverse experiences and viewpoints while clarifying, open questions regarding the workflow to follow with the camera, to work with her in the editing process and post. I note in my notebook of all these data 'enlightening'.#fcpx#post#alexa
November 15, 2012, 10:12 PM
Undead hits The Walking Dead (shooting on film) and The Vampire Diaries (shooting with ARRI Alexa) are both shot near Atlanta, GA, and both rely on Crawford Media Services for dailies for two very different workflows, one revolving around the ARRI Alexa, the other around Super 16 film.#film#dailies#walking dead#vampire diaries#arri#alexa#super 16
Christopher Peterson, ACE, sits down with Gordon to discuss American Crime Story: Impeachment.
Gordon Burkell sits down with Alex Amick to discuss her work on the Muppets Haunted Mansion.
Cindy Mollo sits down to discuss the editing of Ozark.
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